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Turning the Ocean into 3D Pie Chart Scenery

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Creepy Grey Metal Skull by Salazar

Creepy Grey Metal Skull by Salazar

Skull” is Colombian digital artist Santiago Betancur Salazar’s last project. Salazar has his own website, which exhibits his fabulous works with different styles. The reason why he presents his “Skull” here is he loves skull, so he shares his works.

Photos belows generally show Salazar’s working process with “Skull” by Photoshop. Skull itself is terrific enough, and Salazar created this “Skull” with creepy grey metal effects. The exquisite vein and muscle details prove Salazar’s skills and attitude. No matter seeing from the front or from the profile, Salazar’s Skull is naturally mixed together with its background, a grey metal skull emerging from its gray tenacious and unbreakable background.

Skull-01
Skull-02
Skull-03
Skull-04
Skull-05

How to Place Sketches onto Photos

How to Place Sketches onto Photos

French graphic designer Sébastien DEL GROSSO shows the process of how to place sketches of his photos on his photos with Photoshop. Sébastien DEL GROSSO uses photos taken with natural light, referring to drawings whose pencil strokes are fast and nervous to give the impression of a construction.

Then the first step is to keep all images in a square format to reinforce the idea of series and work with layers. The second is to scan and clean the drawings then place them on the foreground, in front of the previous image. The third is to use brush shapes to erase some details on the pictures and reveal the sketch. When presenting of the sketch part in the photo, looking realistic and balanced is necessary. And finally, to use the black in subdued mode and the white in inlay mode to obtain better results.

How to Place Sketches onto Photos-01
How to Place Sketches onto Photos-02
How to Place Sketches onto Photos-03
How to Place Sketches onto Photos-04
How to Place Sketches onto Photos-05
How to Place Sketches onto Photos-06
How to Place Sketches onto Photos-07

Create a Realistic 3D Snooker Ball in Photoshop

Create a Realistic 3D Snooker Ball in Photoshop

In this tutorial, it will demonstrate you how to create a realistic 3D snooker ball. It is not difficult to make. Hope you will find it interesting. To create a 3D design, the shadow and reflection are always the most important elements to think of. Once you get familiar, your design will become awesome.

My final result for the 3D snooker balls will be as this:

Full-Size-for-Snooker-L

1. The first thing to do is the background. Choose the combination colour brown & yellow – #bdc68d .

Create a Shiny 3D Snooker Ball in Photoshop1

2. Combine it with my chosen texture and set the opacity = 50% as below. (You can download the texture from http://www.flickr.com/photos/bittbox/2118265369/sizes/l/

Create a Shiny 3D Snooker Ball in Photoshop2

3. After complete the background, we can actually create the snooker ball. And I have chosen the ball in brown colour – #b79e3a. Using Elliptical Marquee Tool to make a simple circle, then fill the colour by gradient tool >radial gradient as below.

Create a Shiny 3D Snooker Ball in Photoshop3

4. The brown circle is created, we can move on the next step, making some shadow for the ball. Go to Select > Modify > Contract by 20 Pixel.

5. After the contraction, create a new layer. Then using the gradient tool to fill in the black colour and adjust the gradient editor setting as below:

Create a Shiny 3D Snooker Ball in Photoshop5

6. Using the blur tool > Gaussan Blur to the previous painted (black) colour. Set your Blur Radius = 5 pixel.

Create a Shiny 3D Snooker Ball in Photoshop7

7. You should achieve the ball similar as below. Then let’s go to make the reflection effect for the ball.

Create a Shiny 3D Snooker Ball in Photoshop8

8. Move the elliptical circle into the upper part. And then fill the colour in gradient > radial gradient and set the colour as below.

Create a Shiny 3D Snooker Ball in Photoshop9

9. Press ctrl, then move the pointer to the ball’s layer thumbnail. Then elliptical circle will move back to the ball. Then press ctrl + Shift + I to select the rest bit of the circle. And you can delete the colour out of the circle. You should achieve the ball as following.

Create a Shiny 3D Snooker Ball in Photoshop10

10. Using the above-mentioned skill, make the elliptical circle and apply the contraction to the circle set the radius as 6 pixel. Fill the circle in white colour and set Opacity into 80%. Then repeat the same step to make one more circle with 8 pixel. Then delete the colour inside the small circle. Use the eraser to make the upper bit reflection, it should be like the curve at final

Here you have to try the adjustment of Opacity & blur until the result reaches your satisfaction because the strength of reflection really rely on these adjustments. Here you go, it is my result.

11. For the shadow at the bottom, you just need to simply create an ellipse circle by elliptical circle tool, fill it in black by “paint bucket tool”. Apply the blur > Gaussian Blur into 6 – 8 pixel.

Create a Shiny 3D Snooker Ball in Photoshop11

12. The last step is to simply add a white circle in the centre and add the number.

Full-Size-for-Snooker2-2

13. Duplicate the layers, to create one more ball in red, and you should be able to achieve the scene as below.

Full-Size-for-Snooker-L

Hope you can enjoy and this tutorial can give you an idea to develop your personal 3D object.

Thank you very much!

25 Stunning and Creative Photoshopped Ads

25 Stunning and Creative Photoshopped Ads

25 Stunning and Creative Photoshopped Ads

As the economy develops, our world has been thick with commercials and advertisements. However, not all the advertisements work as well as what the advertisers thought. Anyway, no one wants to read a boring paragraph of compliment or a long list about the promoted product. It is the creation in the advertisements that can really impress the viewers.

The following are 25 stunning and creative photoshopped ads collected from Creative Ad Awards, which is a new ads collecting website that featured by the most creative ads from the world. Please enjoy it and feel the surprise that the creation brings you.

Action Inside

All Day I Dream About Sneakers

Anywhere

Be Choked

Built for the Concrete Jungle

Don’t Mess with the Legend

Ultragliss Steam Iron. Faces any Wrinkle.

Fiery Party

Frozen Flame

Hole in Lake

The Natural Enemy of Boredom.

In the Arms of Elements

Lion Zebra

Military Jackets

Your walls deserve a paint which will age well

You can’t escape genetics

Organic Shampoo

Perfection Has Its Price

Poor Rabbit

Push the limits of everything

Smoking Hand

Every city is a mountain

The Gripper

The Insight Story

The Pair

Designing a Portable Gaming Device Poster

Designing a Portable Gaming Device Poster

Welcome (back) to Photoshop Lady. Thanks for reading!

In this intermediate Photoshop tutorial we will be walking through the making of an interesting, creative advertisement poster. This is what I would consider great for advertising your newest product, or just getting some design practice. I will not be explaining the function of every tool in Photoshop used in this tutorial, instead I will be walking through the design process (if you could call it that, anyway).

Here is our end result:

GP2X Console Advertisement Design

About the Author

Eli is a young and aspiring web designer from South Australia.

Inspiration

Before starting, you may want to locate some inspiration for your design. Here are just a few great places for finding design inspiration:

deviantART (Designs & Interfaces)
depthCORE
Designflavr
Smashing Magazine Inspiration
Web Design Inspiration

And there are plenty more sites out there where you can get inspiration, just take a look. You can even get inspiration from stock sites such as iStockPhoto and Vector Stock.

1. Setting up the Canvas

When creating a new document (File > New), you may want to use a Preset size. I selected International Paper > A6. This is just for practice, so we want to keep it fairly small and RGB as the color mode.

Settings for New Document

Resolution should be at 300, unless you want to change it. To fit the document nicely on your screen you will probably have to zoom out to around 33.3% of the document size.

2. Creating a Basic Background

For our basic background we’ll just be using a radial gradient. Locate and get out the gradient tool, then set your settings similar to these:

Radial Gradient Settings

The colors seen in the above image are: #a2f0e0 and #3793b3. All done? Create a radial gradient in the center of your document. I recommend you draw some rulers onto your canvas so you can find the center easier.

Centered Radial Gradient

2-2. Additional Background Effects

Now we want to upgrade our basic background a little bit. You can do this by adding a simple texture in there then messing with the layer mode(s) and opacity. First, head on over to Katanaz-Stock on deviantART and download the Light Texture 03 image.

Copy this image onto your canvas, resize/rotate it if you like, then change the layer mode to Multiply and lower the fill/opacity to something very low, 10% for example.

Light Texture Added

Duplicate your texture layer once, change the layer mode to Screen and put the opacity up to 50%.

Light Texture Duplicate

Now, we still have a fairly basic background, but it’s much nicer than just a gradient.

3. Choosing your Product

Now you need to decide what sort of product you want to promote in this design. It could be a cell phone, a gaming console, something fashion-related, or anything really. I’ve gone with something a little more unique for this tutorial, a GP2X F-200.

Head over to Google Images and search for a large or an extra large image of whatever product you want to use. I was lucky enough to find a pretty decent, extra large image of a GP2X.

gp2x

Click the above thumbnail for the fullsize image that we’re using.

3-2. Touching up Product Image(s)

Part of the job is touching up product images and making them suitable for placing in your main design document. As you can see, the image I’ve chosen has some noticeable blotches, blemishes, etc. so let’s try and remove them using the Clone Stamp Tool. There are a few different tools that you can use to remove imperfections, but I’ve found the Clone Stamp Tool works just fine (maybe even best), in a case like this.

Clone Stamp Tool in Action

If you’re not too fond of what we’re doing in this step, you can of course just download the PSD file at the end of the tutorial and use the cutout, although you won’t have learned much!

After you have touched the image up, we need to cut the product out from the background. Since the product is very light grey on a white background, you can’t simply use the Magic Wand Tool, can you? So we’ll have to use the Pen Tool to make a very clean, precise selection around the device.

Pen Tool and Path Created

Obviously I can’t really walk through you through the entire making of the path, so if you’re a newbie with the Pen Tool and making paths, I recommend you read this advanced tutorial on the Pen Tool.

Optional: after you’re done you may want to add a colorful image into the screen of your product.

GP2X Screen Added

4. Product Placement

After you’ve made all of your touchups and cutout your product, copy it over your other canvas. If you’re running a newer version of Photoshop (CS3 I think), you should be able to convert your layer to a smart object, so you will be able to resize it, rotate it and resize it again (over and over) without losing quality.

So, if you’re on a newer version of Photoshop, right-click your product layer and convert it to a Smart Object.

Convert Layer to Smart Object

Using Transform Mode (ctrl+t), size your product down to something more appropriate and then position it accordingly. To bring your product off of the background, you may want to apply a basic drop shadow via an Outer Glow layer style.

Outer Glow Layer Style Added

Duplicate your GP2X layer twice, rotate one -15.0 degrees, and the other 15.0 degrees using Transform Mode (ctrl+t). Position your new duplicates accordingly, and size them down a little if necessary. You have to use your own imagination here.

Duplicate and Rotate Products

Both duplicates have a similar Outer Glow layer style applied to them, except using a lower opacity.

5. Abstract Elements

To make our design “pop” we’re gonna use some abstract elements.

Using Cinema 4D I managed to muster up a basic but cool abstract render using the GP2X image as the texture. Using this render we’re going to make our design look a whole lot more interesting.

Download Abstract Render

This is how I made use of the 3D abstract:

1. Start by copying it to your canvas, make a few duplicates.
2. Rotate/resize/position your render(s) underneath the product, then erase away the parts of the render that make the overall design look worse than better.
3. Repeat 1-3 times.

And now I have this:

Abstract Render Duplicates

Now that looks much better! If you look around for some inspiration, or in some magazines for creative cellphone ads, you’ll notice these ads have a similar design style going on. The idea is to get some creative elements behind the product/around the product/maybe on top of the product.

6. Vector Elements

I still think our design is a bit boring, so let’s find some vector stocks. Check out the freebie websites such as Vecteezy and find some vectors. Or you can go to iStockPhoto/Vector Stock/Go Media and get some premium vectors.

To start off with I just used two simple splats with a light, sky-blue color (#87ffff), but it should be very easy to find a free brush that will do the job of these vectors just fine.

Splatter Vectors Added

Next, I used a set of vector icons that I bought a while back from Vector Stock for just one credit (one dollar!) to place underneath the product. This is what I’ve got:

Icon Vectors Added

This may look better or worse in your opinion, so please feel free to do whatever you like with the design to make it according to your tastes.

Note: the icons in the above image have an outer glow applied to them, using a light color and Linear Dodge as the blend mode.

Another note: for some reason I’ve been unable to locate these icons again on Vector Stock, otherwise I would have linked to them. I’m sorry if this is an inconvenience.

7. Logo/Text

If possible, find a large version of the logo that belongs to the product you’re trying to promote here. Copy it onto your canvas and resize it to an appropriate size.

Logo Added

Optional: lower opacity and apply layer styles to add extra effect to the logo.

Layer Styles Change

Next, add in some text describing your product.

Top text, description:

Top Description Text Added

Bottom text, website URL:

Bottom Text (URL) Added

The font used here is called Frutiger, it’s a commercial font rather than a free one, so you may want to find a suitable alternative. The text you can see in the above images also have a slight Drop Shadow layer style applied to them.

8. Finalizing

Finalizing the design is up to you. You need to add your own touches to this design to make it perfect. I don’t think I did anything to it that wasn’t stated in the tutorial! Some ideas would be to change the color of the document using some adjustment layers (add more contrast using levels adjustment, etc.)

A good idea would be to add some more color, so if you like, create a new layer, select a large, soft brush and make a few blobs on your canvas using different colors. Change the layer mode to something such as Color Dodge or Overlay.

GP2X Console Advertisement Design

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Thanks for reading the tutorial, I hope you enjoyed it.

How to Create a Piece of Heaven in Photoshop

How to Create a Piece of Heaven in Photoshop

In this tutorial I am going to show you how to create a piece of Heaven in Photoshop. This photo manipulation is inspired by the Metuzalem website and I would like to thank Tajana for allowing me to write this tutorial. I’m very grateful to her.

Also, I would like to thank all the photographers and artists for their wonderful stock images and for the permission to use them. This tutorial would never be possible without they: resurgere, SimplyBackgrounds, ro-stock, nighthawk663, Disney-Stock, WammyP, indeed-stock, Enchantedgal-Stock, redheadstock, Tasastock, Momotte2stocks, Kristina Mileva, Jan Flaska, Marina García, Claudia Meyer, Martin Hurry, Hilde Vanstraelen, clix, Sheila and magstefan.

All the images from deviantArt have specific rules and everyone who is planning to use them on anymore than just following the tutorial should read those rules and ask the photographer’s permission to use them.

Final Result

This is a Piece of Heaven we are about to make. You can see the final result bellow. Also, you can check out the larger version here.

Step 1 – Setting up the document

First, download this image and open it in Photoshop. You can adjust the dimensions of your image by going to Image > Image Size. My image is 1125px wide by 1334px height. Now we want to get rid of the moon because it doesn’t fit with what we are going to create in this tutorial. Select the Clone Stamp Tool (S), select a soft brush with the diameter of 250-300px and use it to erase the moon. Then select the Smudge Tool, chose a big soft brush, set the Strength to 25% and use this tool to get rid of the traces left by the Clone Stamp Tool.

Step 2 – Adding a Lens Flare filter

Create a new layer and fill it with black using the Paint Bucket Tool (G). Right-click on this layer and select Convert to Smart Object. This way you will be able to modify any filter you apply to this layer anytime you want. Then go to Filter > Render > Lens Flare and use the settings from the following image. Set the blend mode of this layer to Linear Dodge (Add) and name it “lens flare.”

Step 3 – Creating mist

From now on, we are going to use groups to keep everything organized. Create a new group (Layer > New > Group) and name it “island.” Create another group inside the “island” group, and name this one “mist.” Download these Photoshop brushes and install them. Create a new layer, set the foreground color to white, select one of the brushes you downloaded and use it to create mist in the center of your image. Fell free to use as many layers and brushes you want.

Step 4 – Creating the base of the island

Create a new group and name this one “rocks.” Download this image and open it in Photoshop. Double-click on the “Background” layer to unlock it. Then use the Magic Wand Tool (W) to select the sky, and then hit Delete.

Step 5

Move the rocks into your first document using the Move Tool (V). Then right-click on this layer and select Convert to Smart Object. Go to Edit > Free Transform (Ctrl+T), hold down the Shift key and scale this layer down. Flip this layer horizontally (Edit > Transform > Flip Horizontal) and vertically (Edit > Transform > Flip Vertical), and then name it “rocks.”

Step 6 – Masking the rocks

Add a mask to the “rocks” layer (Layer > Layer Mask > Reveal All), select a black brush with a diameter of 30px and with the hardness around 60%, and then mask some parts of the rocks like I did. You can let the top of the rocks as it is because it will be covered by grass later.

Step 7 – Adding light to the rocks

Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Then fill the mask of this layer with black, select a white soft brush and paint with it over some areas of the rocks. Take a look at the following image for reference.

Step 8 – Adding shadow to the rocks

Go again to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Then fill the mask of this layer with black, select a white soft brush and paint with it over some areas of the rocks.

Step 9 – Adjusting the brightness and the contrast

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 10 – Masking the rocks

Add a mask to the “rocks” group, select a big black soft brush with the opacity around 50% and mask the edge of the island, to be able to see just a little the light that is coming behind it.

Step 11 – Adding the grass

Create a new group and name it “grass.” Then download this image, open it in Photoshop, move it into your first document using the Move Tool (V) and name this layer “grass.”

Step 12

Add a black mask to the “grass” layer (Layer > Layer Mask > Hide All). Now the grass should disappear, but don’t worry, it’s still there. Set the foreground color to white, select the Brush Tool (B) and use a brush with a diameter of 40px and with a hardness of 55% to paint over the top of the island. Take a look at the following image for reference.

Step 13 – Adjusting the light and the shadow of the grass

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 14

Now we are going to make the bottom area of the grass layer darker. Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image. Then fill the mask of this layer with black, select a white soft brush and paint with it over the bottom area of the grass.

Step 15

Now we are going to make the top of the grass layer brighter. Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image. Then fill the mask of this layer with black, select a white soft brush and paint with it over the top area of the grass.

Step 16

The passing between the rocks and the grass is not very realistic right now. To correct this, hold down the Alt key, click on the “grass” layer in the Layers palette and drag a copy of it beneath the original one. Then click on the mask of this layer to activate it, select a white soft brush, and paint with it over the area beneath the original grass layer. Set the opacity of this layer to Soft Light.

Step 17 – Adding a fence

Download this photo, open it in Photoshop and use the Pen Tool (P) to cut out the fence. To remove the hydrant you can use the Clone Stamp Tool (S). Then move the fence into your document, right-click on it and select Convert to Smart Object. Go to Edit > Free Transform (Ctrl+T), hold down the Shift key, scale this layer down, and put the fence on your island. Name this layer “fence”, then put it inside a new group and name the group “fence” too.

Step 18

Add a mask to the “fence” layer, select a black little soft brush, set the opacity of this brush around 40% and mask the bottom area of the fence, to look like it is really there.

Step 19 – Adding a shadow to the fence

Ctrl-click on the “fence” layer’s thumbnail to select it, create a new layer and fill the selection with black. Then go to Edit > Free Transform, right-click on the image, select Flip Vertical, move this layer at the bottom of the fence, hold down the Ctrl key and move the middle bottom control handle like I did. Set the opacity of this layer to 20%, move it beneath the “fence” layer and name it “shadow.”

Step 20 – Adding a cave

Create a new group and name it “cave.” Download this photo, open it in Photoshop, use the Pen Tool (P) to cut out the cave, and then move it into your document using the Move Tool (V). Right-click on this layer and select Convert to Smart Object. Go to Edit > Free Transform (Ctrl+T), right-click on the image and select Flip Horizontal, then hold down the Shift key and scale this layer down. Go to Filter > Sharpen > Unsharp Mask and use the settings from the following image. Name this layer “cave.”

Step 21

Add a mask to this layer (Layer > Layer Mask > Reveal All), select a brush with a hardness of 80% and use it to erase the straight edges of the cave.

Step 22

Go to Layer > New Adjustment Layer > Color Balance, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 23

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 24

Now we are going to make the bottom of the cave darker. Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Then fill the mask of this layer with black, select a white soft brush (B) and paint with it over the bottom part of the cave.

Step 25

Now we are going to make the top of the cave brighter. Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image. Then fill the mask of this layer with black, select a white soft brush (B) and paint with it over the top area of the cave.

Step 26 – Adding a shadow to the cave

Ctrl-click on the “cave” layer’s thumbnail to select the cave, then hold down the keys Ctrl+Alt+Shift and click on the mask of the “cave” layer. Now you should have only the cave selected. Create a new layer beneath the “cave” layer, fill it with black and name it “shadow.”

Go to Edit > Transform >Flip Vertical and move the “shadow” layer at the bottom of the cave. Then go to Edit > Free Transform (Ctrl+T), hold down the Ctrl key and transform the shadow like I did by moving the middle bottom control handle of the Free Transform box.

Now there is an empty area at the bottom of the cave because of the cave’s entry. Use a black brush to fill that area. Then right-click on the “shadow” layer and select Convert to Smart Object. Then go to Filter > Blur > Gaussian Blur and add a gaussian blur of 3px. Set the opacity of the “shadow” layer to 60%. Then you can use a layer mask and a black soft brush to mask the area of the shadow which looks too dark.

Step 27 – Adding trees

Download this image, open it in Photoshop, move the tree into your document using the Move Tool (V) and put it in the front of the cave. Right-click on this layer and select Convert to Smart Object. Go to Edit > Free Transform, hold down the Shift key and scale this layer down. Then go to Filter > Sharpen > Unsharp Mask and use the settings from the following image. Name this layer “tree.”

Step 28

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 29

Go to Layer > New Adjustment Layer > Color Balance, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 30

Put the “tree” layer and the two adjustment layers inside a group and name the group “tree 1.” Then add a mask to this group and use a black soft brush to mask the bottom part of the tree.

Step 31

Create a shadow for the tree, just like you did with the fence and the cave.

Step 32

Create more trees and put them on the island. Organize all these layers using groups. Take a look at the following image for reference.

Step 33 – Adding an angel statue

Download this image, open it in Photoshop, use the Pen Tool (P) to cut out the angel statue and move it into your document using the Move Tool (V). Right-click on this layer and select Convert to Smart Object. Name this layer “angel”, put it inside a group and name the group “angel” too. Go to Edit > Free Transform (Ctrl+T), hold down the Shift key and scale this layer down. Add a mask to this layer and use a black soft brush to mask the bottom part of the angel.

Step 35

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 36

Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Fill the mask of this layer with black, select a white soft brush and paint with it over some areas of the angel to make them darker.

Step 37

Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Fill the mask of this layer with black, select a white soft brush and paint with it over some areas of the angel to make them brighter.

Step 38

Create a new group (Layer > New > Group) and name it “ivy.” Then download this image, open it in Photoshop and move it into your document using the Move Tool (V). Right-click on this layer and select Convert to Smart Object. Go to Edit > Free Transform, hold down the Shift key and scale this layer down. Put the plant at the bottom of the angel statue and name this layer “ivy.”

Step 39

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Then go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Fill the mask of this layer with black, select a white soft brush and paint with it over the bottom area of the plant to make it darker.

Step 40

Download this bonsai photo and open it in Photoshop. To separate the tree from the background go to Select > Color Range, hold down the Shift key, and click on the background many times until it turns white in the Color Range window. Then go to Select > Inverse to inverse the selection and hit Ctrl+J to put the selection into a new layer. To delete the pot you can use the Pen Tool (P).

Step 41

Move the tree into your document using the Move Tool (V). Name this layer “bonsai”, put it inside a group and name the group “bonsai” too. Right-click on this layer and select Convert to Smart Object, go to Edit > Free Transform (Ctrl+T), hold down the Shift key and scale this layer down.

Add a mask to the “bonsai” layer and use a black small soft brush to mask the tree’s roots. Then go to Filter > Sharpen > Unsharp Mask and use the settings from the following image.

Step 42

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 43

Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Fill the mask of this layer with black, select a white soft brush and paint with it over some areas of the tree to make them darker.

Then go again to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Fill the mask of this layer with black, select a white soft brush and paint with it over some areas of the tree to make them brighter.

Step 44

Add a shadow to the bonsai, just like you did with the fence, the cave and the trees.

Step 45

Download this quartz image, open it in Photoshop and use the Magic Wand Tool (W) to remove the black background. Move the quartz into your document, right-click on this layer and select Convert to Smart Object. Go to Edit > Free Transform (Ctrl+T) and scale this layer down. Then put the quartz in the right side of the island. Name this layer “quartz”, put it inside a new group and name the group “quartz” too.

Step 46

Add a black mask to the “quartz” layer (Layer > Layer Mask > Hide All). Now the quartz should disappear from your image, but don’t worry, it’s still there. Select a white brush with a hardness of 50% and paint with this brush over the area where you want the quartz to become visible.

Step 47

Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Fill the mask of this layer with black, select a white soft brush and paint with it over the area where the quartz touches the island.

Step 48

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Then go to Layer > New Adjustment Layer > Color Balance, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 49 – Adding stairs

Download this image, open it in Photoshop and use the Pen Tool to cut out the stairs. Then move the stairs into your first document using the Move Tool (V). Right-click on this layer, select Convert to Smart Object and name this layer “stairs.” Go to Edit > Transform > Flip Horizontal. Then go to Edit > Free Transform (Ctrl+T), hold down the Shift key and scale this layer down. Put this layer inside a group and name the group “stairs.”

Step 50

Add a mask to the “stairs” layer (Layer > Layer Mask > Reveal All), select a black brush with a hardness of 60% and use it to mask the bottom area of the stairs.

Step 51

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Then go to Layer > New Adjustment Layer > Color Balance, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Then go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Fill the mask of this layer with black, select a white soft brush and paint with it over the right and bottom areas of the stairs to make them darker.

Step 52 – Adding a rock

Download this package of photos and open the image “pkg_bot015.jpg” in Photoshop. Use the Pen Tool (P) and Color Range (Select > Color Range) to separate the rock from the background (or you can use the Quick Selection Tool (W) instead of Color Range).

Move the rock into your document using the Move Tool (V), right-click on this layer and select Convert to Smart Object. Name this layer “rock” and put it inside a new group. Name the group “rock” too.

Select the “rock” layer, go to Edit > Transform > Flip Horizontal. Then go to Edit > Free Transform (Ctrl+T), scale this layer down and put it in the right side of the stairs. Then add a mask to this layer (Layer > Layer Mask > Reveal All), select a white brush with a hardness of 50% and use it to mask the bottom area of the rock. Take a look at the following image for reference.

Step 53

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Then go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Fill the mask of this layer with black, select a white soft brush and paint with it over the bottom area of the rock to make it darker.

Then go to Layer > New Adjustment Layer > Channel Mixer, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 54 – Adding a tap

Download this photo, use the Pen Tool to cut out the tap and move it into your document. Right-click on this layer, select Convert to Smart object, and then name it “tap.” Then go to Edit > Free Transform and scale this layer down. Add a mask to this layer (Layer > Layer Mask > Reveal All) and use a black soft brush to mask the area where the tap touches the island. Put this layer inside a new group and name the group “tap & water.”

Step 55

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 56 – Adding the water

Download this image, open it in Photoshop and use the Pen Tool (P) to cut out the water.

Step 57

Move the water into your document using the Move Tool (V). Right-click on this layer and select Convert to Smart Object. Go to Edit > Transform > Flip Vertical, and then go to Edit > Transform > Flip Horizontal.

Then go to Edit > Free Transform (Ctrl+T), hold down the Shift key, scale this layer down and move the water at the bottom of the tap to look like it’s coming out of it. Set the opacity of this layer to 90%, name it “water” and put it beneath the “tap” layer.

Step 58

Add a mask to the “water” layer (Layer > Layer Mask > Reveal All), select a black soft brush and paint with it over the bottom area of the water. Then select a smaller brush and, if necessary, paint with it over the area where the water is coming out of the tap.

Step 59

Duplicate the “water” layer by hitting Ctrl+J. Then go to Filter > Blur > Radial Blur and use the settings from the following image. Set the blend mode of this layer to Screen, the opacity to 70% and then name it “water 70% screen.”

Step 60

Duplicate the layer which you have created at the previous step by hitting Ctrl+J. Set the blend mode of this layer to Linear Light, the opacity to 30% and then name it “water 30% Linear Light.”

Step 61 – Adding pigeons

We can’t have a Heaven scene without pigeons, right? So, create a new group and name it “pigeons.” Then download this image, open it in Photoshop and use the Pen Tool (P) to cut out the bird. Move the pigeon into your document using the Move Tool. Right-click on this layer and select Convert to Smart Object. Go to Edit > Free Transform, hold down the Shift key and scale this layer down. Name this layer “big pigeon.”

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 62 – Adding a lens flare

Create a new layer beneath the “big pigeon” layer and fill it with black. Right-click on this layer and select Convert to Smart Object. Then go to Filter > Render > Lens Flare and use the settings from the following image. Set the blend mode of this layer to Linear Dodge (Add) and name it “lens flare.”

Step 63 – Adding more pigeons

Here are some pigeons photos that you can use. Download these photos, open them in Photoshop and use the Pen Tool (P) to cut out all those pigeons. As usual, move each pigeon into your document using the Move Tool (V) and convert each layer into a smart object (right-click on the layer and select Convert to Smart Object). Then go to Edit > Free Transform, hold down the Shift key and scale each layer down. Use the Move Tool (V) to put each pigeon where you want, and then name all these layers.

You can use the same pigeon more times in your photo manipulation. Just duplicate a pigeon layer and go to Edit > Transform > Flip Horizontal. Then go to Edit > Free Transform (Ctrl+T), hold down the Shift key, scale the new layer down and move it in a different place. If you look closely to the following image you will see that the pigeon from the angel’s hand is the same pigeon from the cave.

Step 64

Use some Brightness/Contrast adjustment layers to add more light and contrast to the pigeons. Also, you can add a shadow to the pigeon sitting on the rock (or any other pigeon you want). To do this, create a new layer beneath that pigeon layer, select a black soft brush and paint with it over the rock. Then set the opacity of this layer to 40% and name it “shadow.”

Step 65 – Adding a divine light

Create a new group beneath the “pigeons” group and name this one “light.” Set the blend mode of this group to Linear Dodge (Add) and the opacity to 90%. Then create a new layer inside this group and use the Polygonal Lasso Tool (L) to create a white shape like I did. Continue to create as many shapes as you want, each one in a new layer. Convert each layer into a smart object (right-click on the layer and select Convert to Smart Object) and set the opacity of each layer to 10-20%.

Step 66

Add a Gaussian Blur filter (Filter > Blur > Gaussian Blur) to each of the layers inside the “light” group. Use different values for this filter.

Step 67 – Adding feathers

Now we are going to add some feathers around the island. Create a new group outside of the “island” group and name it “feathers.” The download this photo, open it in Photoshop and remove the black background. Move the feather into your document using the Move Tool (V), right-click on the layer, select Convert to Smart Object and then name it “feather.” Go to Edit > Free Transform, hold down the Shift key, scale this layer down and then rotate it.

Duplicate this layer a few times and change the size and the position of each feather. Then add a Gaussian Blur filter (Filter > Blur > Gaussian Blur) to each of these layers using different values.

Step 68

Download these brushes, install them, set the foreground color to white and use them to create more feathers. Use a new layer for each feather.

As usual, before going to Edit > Free Transform (Ctrl+T) to modify the feathers, convert each layer into a smart object. Then add a Gaussian Blur filter (Filter > Blur > Gaussian Blur) to each of these layers using different values.

Step 69 – Creating stars

Create a new group and name it “stars.” Create a new layer inside this group and name this one “stars” too. Fill the “stars” layer with black, then right-click on this layer and select Convert to Smart Object. Go to Filter > Noise > Add Noise and use the settings from the following image.

Add a mask to the “stars” layer (Layer > Layer Mask > Reveal All), select a big black soft brush and paint with it over the clouds and the island. We don’t want stars above those areas. You can also use this brush to mask some areas of the stars from the sky. Then set the blend mode of the “stars” layer to Screen.

Step 70

Now we are going to make the stars to look like some real stars. Go to Layer > New Adjustment Layer > Levels, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 71 – Adding a subtle glow to the stars

Duplicate the “stars” group (right-click on it and select Duplicate Group). Then right-click on the new group and select Convert to Smart Object. Set the blend mode of this layer to Screen, and then go to Filter > Blur > Gaussian Blur, use a value of 1px and click OK.

We don’t want all the stars to glow, so, add a mask to this layer (Layer > Layer Mask > Reveal All), select a black soft brush and paint with it over some areas of the stars.

Step 72 – Adding rays

Create a new group and name it “rays.” Create a new layer inside this group and name it “rays” too. Then download these brushes, install them, set the foreground color to white and use those brushes to create rays. Right-click on this layer and select Convert to Smart Object. Then set the blend mode of this layer to Overlay.

Step 73

Duplicate the “rays” layer, go to Filter > Blur > Gaussian Blur and use a value of 20px. Then set the opacity of this layer to 60%.

Step 74 – Creating mist

Create a new layer, set the foreground color to white and use the same brushes you used at the beginning of this tutorial (at the third step) to create mist. Set the opacity of this layer to 70% and name it “mist.” As you can see in the following image I have also used a mask. It’s up to you whether you want to use one or not.

Step 75 – Adding a quote

Select the Type Tool (T) and write a quote or anything else you want using a proper font (I used Trajan Pro). Set the opacity of this text layer to 90%.

Step 76 – Final color adjustments

Now we are going to use a technique to make the whole image more vivid. Create a new layer above all the other ones, go to Image > Apply Image and click OK. Then right-click on this layer and select Convert to Smart Object. Go to Filter > Blur > Guassian Blur and use the value 6.6px. Set the blend mode of this layer to Color and the opacity to 60%.

Duplicate this layer (Ctrl+J) and then set the blend mode of the duplicated layer to Screen and the opacity to10%.

Duplicate this layer one more time and set the blend mode of this new layer to Soft Light and the opacity to 55%.

Final Result & Conclusion

Well, here we have it. Our own piece of Heaven created in Photoshop. I hope that you enjoyed this tutorial as much as I had writing it. You can see the final result bellow. Also, you can check out the larger version here.

About the Author

Ionut Ciursa is a freelance designer based in Romania. Photoshop is one of his passions and he has been using this wonderful program for about four years. He loves to share his knowledge with others through his tutorials. He is also the founder of PSDBurn where he writes Photoshop tutorials.

How to Create Product Labels in Photoshop

How to Create Product Labels in Photoshop

Hello Everyone here we have a design/illustration tutorial. We are working on a label for a Micro brew beer.

Step 1

First of all, I will go through all the process and how I came up with a rough sketch of what my character would look like.

Here is a sketch on paper with a permanent marker line art. Scan your work and keep the file on a 300dpi resolution. The bigger the better, that way scaling down works best! The sketch was done on red so we could easily separate the line art from the sketch. How? Super easy! At first label your layer by double clicking on it.

Step 2

You can either do it by ctrl+click on PC or command+click on MAC and select your sketch layer, once you have the marching ants you go to the channels tab and click on your red channel.

You copy that channel layer ctrl+c on PC command+c on MAC. And you click again on you composite channel (RGB) to select them all. You go back to your layers panel and paste your red channel as a layer ctrl+v on PC or command+v on MAC. Name your new layer LINE ART.

Step 3

Let’s go to the levels adjustment ctrl+L on PC or command+l o MAC and tweak your sliders so you get a clean black and white image. Try and get all the grays out. Easy! Now to get rid of the white and keep a clean lien art! OK so we can get rid of that first sketch of ours or keep it if you like to have the history. I personally like to have all my layers at the end and see how much the image changed from beginning to end. (I know many of your might be dying about the left eye of the ninja but I’m getting there!) Ok, now we get rid of the white background. Hide all your layers but your line art by doing alt+click on PC or optn+click on MAC over the little eye icon on your layer. We open the blending options of our LINE ART layer by double clicking on the space next to the name or by simply going to your “FX” button.

After that, selecting blending options. There you’ll have 3 blocks and the third one is the one we want: “Blend If: Gray” Here you want to slide the white triangle to the left until the white is totally gone! Click OK when done.

Step 4

Great! Now we need to lock those changes so we need to press ctrl+click on PC or command+click on MAC on the create new layer icon so that the new layer appears under our line art layer. Then select both and press ctrl+e on PC or command+e on MAC to merge both layers onto one and keep it in transparency. Awesome! Now we can finally duplicate that eye and get ready to color it.

Step 5

Once OK, we can go to the painting process. Create a new layer under the line art and layout all your flat colors.

Step 6

it is time to work on your lights and shadows. Use brighter tones of the same layout colors for the highlights and darker for your shadows. Once you finish, you should have something like this:

Step 7

Now we can take this great drawing to the next level. We are going to color the line art. What? my precious clean clack lines? yes! to do this you want to lock the transparency on the line art by clicking on this icon:

Now it is coloring time. Choose the darkest color of the shadow per section of your character. Let’s say you are working on the hoodie of the ninja. Select your darkest value with the eyedropper tool and go a little darker than that. Why? just so that the line art doesn’t blend with the shadows. Once you have that color start brushing in! Your final illustration would look a little like this:

Step 8

Since you have done with the character. It is time to work on the label. Setup your size and resolution on a new document. Remember 300+dpi is best if you want to print. Firstly, we set the background color in green. Press alt+backspace on PC or option+backspace on MAC to fill the layer with your choice of color.

Step 9

With a soft brush ,the dodge and the burn tool you need to work out some shadows and lights. Then choose greens with the same dodge and burn but with a textured brush as below.

Step 10

Now we go to work on the starburst effect. Create a new layer; and then,draw line and dark gray rectangles like this:

Step 11

Go to the main menu and select “Filters” then “Distort” and lastly “Polar Coordinates” and use RECTANGULAR TO POLAR. BAM! Starburst. Now lower the opacity to about 50% and change the blend mode to “Overlay”.

Step 12

It’s time for the Ovals. Firstly, we create our oval in a dark green. And then apply the following layer styles and apply the following settings as below:

Step 13

We duplicate the layer by pressing ctrl+j on PC or command+j on MAC. Then change the color to a darker green and adjust the stroke settings to:

And then, add your illustration layer

Apply the following outer glow layer style to make it POP:

Step 14

And then, we can add logo, flavor and text into the recipe!

Use the same idea to create the template as this:

Download PSD Source File