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How to Create a Piece of Heaven in Photoshop

How to Create a Piece of Heaven in Photoshop

In this tutorial I am going to show you how to create a piece of Heaven in Photoshop. This photo manipulation is inspired by the Metuzalem website and I would like to thank Tajana for allowing me to write this tutorial. I’m very grateful to her.

Also, I would like to thank all the photographers and artists for their wonderful stock images and for the permission to use them. This tutorial would never be possible without they: resurgere, SimplyBackgrounds, ro-stock, nighthawk663, Disney-Stock, WammyP, indeed-stock, Enchantedgal-Stock, redheadstock, Tasastock, Momotte2stocks, Kristina Mileva, Jan Flaska, Marina García, Claudia Meyer, Martin Hurry, Hilde Vanstraelen, clix, Sheila and magstefan.

All the images from deviantArt have specific rules and everyone who is planning to use them on anymore than just following the tutorial should read those rules and ask the photographer’s permission to use them.

Final Result

This is a Piece of Heaven we are about to make. You can see the final result bellow. Also, you can check out the larger version here.

Step 1 – Setting up the document

First, download this image and open it in Photoshop. You can adjust the dimensions of your image by going to Image > Image Size. My image is 1125px wide by 1334px height. Now we want to get rid of the moon because it doesn’t fit with what we are going to create in this tutorial. Select the Clone Stamp Tool (S), select a soft brush with the diameter of 250-300px and use it to erase the moon. Then select the Smudge Tool, chose a big soft brush, set the Strength to 25% and use this tool to get rid of the traces left by the Clone Stamp Tool.

Step 2 – Adding a Lens Flare filter

Create a new layer and fill it with black using the Paint Bucket Tool (G). Right-click on this layer and select Convert to Smart Object. This way you will be able to modify any filter you apply to this layer anytime you want. Then go to Filter > Render > Lens Flare and use the settings from the following image. Set the blend mode of this layer to Linear Dodge (Add) and name it “lens flare.”

Step 3 – Creating mist

From now on, we are going to use groups to keep everything organized. Create a new group (Layer > New > Group) and name it “island.” Create another group inside the “island” group, and name this one “mist.” Download these Photoshop brushes and install them. Create a new layer, set the foreground color to white, select one of the brushes you downloaded and use it to create mist in the center of your image. Fell free to use as many layers and brushes you want.

Step 4 – Creating the base of the island

Create a new group and name this one “rocks.” Download this image and open it in Photoshop. Double-click on the “Background” layer to unlock it. Then use the Magic Wand Tool (W) to select the sky, and then hit Delete.

Step 5

Move the rocks into your first document using the Move Tool (V). Then right-click on this layer and select Convert to Smart Object. Go to Edit > Free Transform (Ctrl+T), hold down the Shift key and scale this layer down. Flip this layer horizontally (Edit > Transform > Flip Horizontal) and vertically (Edit > Transform > Flip Vertical), and then name it “rocks.”

Step 6 – Masking the rocks

Add a mask to the “rocks” layer (Layer > Layer Mask > Reveal All), select a black brush with a diameter of 30px and with the hardness around 60%, and then mask some parts of the rocks like I did. You can let the top of the rocks as it is because it will be covered by grass later.

Step 7 – Adding light to the rocks

Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Then fill the mask of this layer with black, select a white soft brush and paint with it over some areas of the rocks. Take a look at the following image for reference.

Step 8 – Adding shadow to the rocks

Go again to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Then fill the mask of this layer with black, select a white soft brush and paint with it over some areas of the rocks.

Step 9 – Adjusting the brightness and the contrast

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 10 – Masking the rocks

Add a mask to the “rocks” group, select a big black soft brush with the opacity around 50% and mask the edge of the island, to be able to see just a little the light that is coming behind it.

Step 11 – Adding the grass

Create a new group and name it “grass.” Then download this image, open it in Photoshop, move it into your first document using the Move Tool (V) and name this layer “grass.”

Step 12

Add a black mask to the “grass” layer (Layer > Layer Mask > Hide All). Now the grass should disappear, but don’t worry, it’s still there. Set the foreground color to white, select the Brush Tool (B) and use a brush with a diameter of 40px and with a hardness of 55% to paint over the top of the island. Take a look at the following image for reference.

Step 13 – Adjusting the light and the shadow of the grass

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 14

Now we are going to make the bottom area of the grass layer darker. Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image. Then fill the mask of this layer with black, select a white soft brush and paint with it over the bottom area of the grass.

Step 15

Now we are going to make the top of the grass layer brighter. Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image. Then fill the mask of this layer with black, select a white soft brush and paint with it over the top area of the grass.

Step 16

The passing between the rocks and the grass is not very realistic right now. To correct this, hold down the Alt key, click on the “grass” layer in the Layers palette and drag a copy of it beneath the original one. Then click on the mask of this layer to activate it, select a white soft brush, and paint with it over the area beneath the original grass layer. Set the opacity of this layer to Soft Light.

Step 17 – Adding a fence

Download this photo, open it in Photoshop and use the Pen Tool (P) to cut out the fence. To remove the hydrant you can use the Clone Stamp Tool (S). Then move the fence into your document, right-click on it and select Convert to Smart Object. Go to Edit > Free Transform (Ctrl+T), hold down the Shift key, scale this layer down, and put the fence on your island. Name this layer “fence”, then put it inside a new group and name the group “fence” too.

Step 18

Add a mask to the “fence” layer, select a black little soft brush, set the opacity of this brush around 40% and mask the bottom area of the fence, to look like it is really there.

Step 19 – Adding a shadow to the fence

Ctrl-click on the “fence” layer’s thumbnail to select it, create a new layer and fill the selection with black. Then go to Edit > Free Transform, right-click on the image, select Flip Vertical, move this layer at the bottom of the fence, hold down the Ctrl key and move the middle bottom control handle like I did. Set the opacity of this layer to 20%, move it beneath the “fence” layer and name it “shadow.”

Step 20 – Adding a cave

Create a new group and name it “cave.” Download this photo, open it in Photoshop, use the Pen Tool (P) to cut out the cave, and then move it into your document using the Move Tool (V). Right-click on this layer and select Convert to Smart Object. Go to Edit > Free Transform (Ctrl+T), right-click on the image and select Flip Horizontal, then hold down the Shift key and scale this layer down. Go to Filter > Sharpen > Unsharp Mask and use the settings from the following image. Name this layer “cave.”

Step 21

Add a mask to this layer (Layer > Layer Mask > Reveal All), select a brush with a hardness of 80% and use it to erase the straight edges of the cave.

Step 22

Go to Layer > New Adjustment Layer > Color Balance, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 23

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 24

Now we are going to make the bottom of the cave darker. Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Then fill the mask of this layer with black, select a white soft brush (B) and paint with it over the bottom part of the cave.

Step 25

Now we are going to make the top of the cave brighter. Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image. Then fill the mask of this layer with black, select a white soft brush (B) and paint with it over the top area of the cave.

Step 26 – Adding a shadow to the cave

Ctrl-click on the “cave” layer’s thumbnail to select the cave, then hold down the keys Ctrl+Alt+Shift and click on the mask of the “cave” layer. Now you should have only the cave selected. Create a new layer beneath the “cave” layer, fill it with black and name it “shadow.”

Go to Edit > Transform >Flip Vertical and move the “shadow” layer at the bottom of the cave. Then go to Edit > Free Transform (Ctrl+T), hold down the Ctrl key and transform the shadow like I did by moving the middle bottom control handle of the Free Transform box.

Now there is an empty area at the bottom of the cave because of the cave’s entry. Use a black brush to fill that area. Then right-click on the “shadow” layer and select Convert to Smart Object. Then go to Filter > Blur > Gaussian Blur and add a gaussian blur of 3px. Set the opacity of the “shadow” layer to 60%. Then you can use a layer mask and a black soft brush to mask the area of the shadow which looks too dark.

Step 27 – Adding trees

Download this image, open it in Photoshop, move the tree into your document using the Move Tool (V) and put it in the front of the cave. Right-click on this layer and select Convert to Smart Object. Go to Edit > Free Transform, hold down the Shift key and scale this layer down. Then go to Filter > Sharpen > Unsharp Mask and use the settings from the following image. Name this layer “tree.”

Step 28

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 29

Go to Layer > New Adjustment Layer > Color Balance, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 30

Put the “tree” layer and the two adjustment layers inside a group and name the group “tree 1.” Then add a mask to this group and use a black soft brush to mask the bottom part of the tree.

Step 31

Create a shadow for the tree, just like you did with the fence and the cave.

Step 32

Create more trees and put them on the island. Organize all these layers using groups. Take a look at the following image for reference.

Step 33 – Adding an angel statue

Download this image, open it in Photoshop, use the Pen Tool (P) to cut out the angel statue and move it into your document using the Move Tool (V). Right-click on this layer and select Convert to Smart Object. Name this layer “angel”, put it inside a group and name the group “angel” too. Go to Edit > Free Transform (Ctrl+T), hold down the Shift key and scale this layer down. Add a mask to this layer and use a black soft brush to mask the bottom part of the angel.

Step 35

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 36

Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Fill the mask of this layer with black, select a white soft brush and paint with it over some areas of the angel to make them darker.

Step 37

Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Fill the mask of this layer with black, select a white soft brush and paint with it over some areas of the angel to make them brighter.

Step 38

Create a new group (Layer > New > Group) and name it “ivy.” Then download this image, open it in Photoshop and move it into your document using the Move Tool (V). Right-click on this layer and select Convert to Smart Object. Go to Edit > Free Transform, hold down the Shift key and scale this layer down. Put the plant at the bottom of the angel statue and name this layer “ivy.”

Step 39

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Then go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Fill the mask of this layer with black, select a white soft brush and paint with it over the bottom area of the plant to make it darker.

Step 40

Download this bonsai photo and open it in Photoshop. To separate the tree from the background go to Select > Color Range, hold down the Shift key, and click on the background many times until it turns white in the Color Range window. Then go to Select > Inverse to inverse the selection and hit Ctrl+J to put the selection into a new layer. To delete the pot you can use the Pen Tool (P).

Step 41

Move the tree into your document using the Move Tool (V). Name this layer “bonsai”, put it inside a group and name the group “bonsai” too. Right-click on this layer and select Convert to Smart Object, go to Edit > Free Transform (Ctrl+T), hold down the Shift key and scale this layer down.

Add a mask to the “bonsai” layer and use a black small soft brush to mask the tree’s roots. Then go to Filter > Sharpen > Unsharp Mask and use the settings from the following image.

Step 42

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 43

Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Fill the mask of this layer with black, select a white soft brush and paint with it over some areas of the tree to make them darker.

Then go again to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Fill the mask of this layer with black, select a white soft brush and paint with it over some areas of the tree to make them brighter.

Step 44

Add a shadow to the bonsai, just like you did with the fence, the cave and the trees.

Step 45

Download this quartz image, open it in Photoshop and use the Magic Wand Tool (W) to remove the black background. Move the quartz into your document, right-click on this layer and select Convert to Smart Object. Go to Edit > Free Transform (Ctrl+T) and scale this layer down. Then put the quartz in the right side of the island. Name this layer “quartz”, put it inside a new group and name the group “quartz” too.

Step 46

Add a black mask to the “quartz” layer (Layer > Layer Mask > Hide All). Now the quartz should disappear from your image, but don’t worry, it’s still there. Select a white brush with a hardness of 50% and paint with this brush over the area where you want the quartz to become visible.

Step 47

Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Fill the mask of this layer with black, select a white soft brush and paint with it over the area where the quartz touches the island.

Step 48

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Then go to Layer > New Adjustment Layer > Color Balance, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 49 – Adding stairs

Download this image, open it in Photoshop and use the Pen Tool to cut out the stairs. Then move the stairs into your first document using the Move Tool (V). Right-click on this layer, select Convert to Smart Object and name this layer “stairs.” Go to Edit > Transform > Flip Horizontal. Then go to Edit > Free Transform (Ctrl+T), hold down the Shift key and scale this layer down. Put this layer inside a group and name the group “stairs.”

Step 50

Add a mask to the “stairs” layer (Layer > Layer Mask > Reveal All), select a black brush with a hardness of 60% and use it to mask the bottom area of the stairs.

Step 51

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Then go to Layer > New Adjustment Layer > Color Balance, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Then go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Fill the mask of this layer with black, select a white soft brush and paint with it over the right and bottom areas of the stairs to make them darker.

Step 52 – Adding a rock

Download this package of photos and open the image “pkg_bot015.jpg” in Photoshop. Use the Pen Tool (P) and Color Range (Select > Color Range) to separate the rock from the background (or you can use the Quick Selection Tool (W) instead of Color Range).

Move the rock into your document using the Move Tool (V), right-click on this layer and select Convert to Smart Object. Name this layer “rock” and put it inside a new group. Name the group “rock” too.

Select the “rock” layer, go to Edit > Transform > Flip Horizontal. Then go to Edit > Free Transform (Ctrl+T), scale this layer down and put it in the right side of the stairs. Then add a mask to this layer (Layer > Layer Mask > Reveal All), select a white brush with a hardness of 50% and use it to mask the bottom area of the rock. Take a look at the following image for reference.

Step 53

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Then go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Fill the mask of this layer with black, select a white soft brush and paint with it over the bottom area of the rock to make it darker.

Then go to Layer > New Adjustment Layer > Channel Mixer, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 54 – Adding a tap

Download this photo, use the Pen Tool to cut out the tap and move it into your document. Right-click on this layer, select Convert to Smart object, and then name it “tap.” Then go to Edit > Free Transform and scale this layer down. Add a mask to this layer (Layer > Layer Mask > Reveal All) and use a black soft brush to mask the area where the tap touches the island. Put this layer inside a new group and name the group “tap & water.”

Step 55

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 56 – Adding the water

Download this image, open it in Photoshop and use the Pen Tool (P) to cut out the water.

Step 57

Move the water into your document using the Move Tool (V). Right-click on this layer and select Convert to Smart Object. Go to Edit > Transform > Flip Vertical, and then go to Edit > Transform > Flip Horizontal.

Then go to Edit > Free Transform (Ctrl+T), hold down the Shift key, scale this layer down and move the water at the bottom of the tap to look like it’s coming out of it. Set the opacity of this layer to 90%, name it “water” and put it beneath the “tap” layer.

Step 58

Add a mask to the “water” layer (Layer > Layer Mask > Reveal All), select a black soft brush and paint with it over the bottom area of the water. Then select a smaller brush and, if necessary, paint with it over the area where the water is coming out of the tap.

Step 59

Duplicate the “water” layer by hitting Ctrl+J. Then go to Filter > Blur > Radial Blur and use the settings from the following image. Set the blend mode of this layer to Screen, the opacity to 70% and then name it “water 70% screen.”

Step 60

Duplicate the layer which you have created at the previous step by hitting Ctrl+J. Set the blend mode of this layer to Linear Light, the opacity to 30% and then name it “water 30% Linear Light.”

Step 61 – Adding pigeons

We can’t have a Heaven scene without pigeons, right? So, create a new group and name it “pigeons.” Then download this image, open it in Photoshop and use the Pen Tool (P) to cut out the bird. Move the pigeon into your document using the Move Tool. Right-click on this layer and select Convert to Smart Object. Go to Edit > Free Transform, hold down the Shift key and scale this layer down. Name this layer “big pigeon.”

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 62 – Adding a lens flare

Create a new layer beneath the “big pigeon” layer and fill it with black. Right-click on this layer and select Convert to Smart Object. Then go to Filter > Render > Lens Flare and use the settings from the following image. Set the blend mode of this layer to Linear Dodge (Add) and name it “lens flare.”

Step 63 – Adding more pigeons

Here are some pigeons photos that you can use. Download these photos, open them in Photoshop and use the Pen Tool (P) to cut out all those pigeons. As usual, move each pigeon into your document using the Move Tool (V) and convert each layer into a smart object (right-click on the layer and select Convert to Smart Object). Then go to Edit > Free Transform, hold down the Shift key and scale each layer down. Use the Move Tool (V) to put each pigeon where you want, and then name all these layers.

You can use the same pigeon more times in your photo manipulation. Just duplicate a pigeon layer and go to Edit > Transform > Flip Horizontal. Then go to Edit > Free Transform (Ctrl+T), hold down the Shift key, scale the new layer down and move it in a different place. If you look closely to the following image you will see that the pigeon from the angel’s hand is the same pigeon from the cave.

Step 64

Use some Brightness/Contrast adjustment layers to add more light and contrast to the pigeons. Also, you can add a shadow to the pigeon sitting on the rock (or any other pigeon you want). To do this, create a new layer beneath that pigeon layer, select a black soft brush and paint with it over the rock. Then set the opacity of this layer to 40% and name it “shadow.”

Step 65 – Adding a divine light

Create a new group beneath the “pigeons” group and name this one “light.” Set the blend mode of this group to Linear Dodge (Add) and the opacity to 90%. Then create a new layer inside this group and use the Polygonal Lasso Tool (L) to create a white shape like I did. Continue to create as many shapes as you want, each one in a new layer. Convert each layer into a smart object (right-click on the layer and select Convert to Smart Object) and set the opacity of each layer to 10-20%.

Step 66

Add a Gaussian Blur filter (Filter > Blur > Gaussian Blur) to each of the layers inside the “light” group. Use different values for this filter.

Step 67 – Adding feathers

Now we are going to add some feathers around the island. Create a new group outside of the “island” group and name it “feathers.” The download this photo, open it in Photoshop and remove the black background. Move the feather into your document using the Move Tool (V), right-click on the layer, select Convert to Smart Object and then name it “feather.” Go to Edit > Free Transform, hold down the Shift key, scale this layer down and then rotate it.

Duplicate this layer a few times and change the size and the position of each feather. Then add a Gaussian Blur filter (Filter > Blur > Gaussian Blur) to each of these layers using different values.

Step 68

Download these brushes, install them, set the foreground color to white and use them to create more feathers. Use a new layer for each feather.

As usual, before going to Edit > Free Transform (Ctrl+T) to modify the feathers, convert each layer into a smart object. Then add a Gaussian Blur filter (Filter > Blur > Gaussian Blur) to each of these layers using different values.

Step 69 – Creating stars

Create a new group and name it “stars.” Create a new layer inside this group and name this one “stars” too. Fill the “stars” layer with black, then right-click on this layer and select Convert to Smart Object. Go to Filter > Noise > Add Noise and use the settings from the following image.

Add a mask to the “stars” layer (Layer > Layer Mask > Reveal All), select a big black soft brush and paint with it over the clouds and the island. We don’t want stars above those areas. You can also use this brush to mask some areas of the stars from the sky. Then set the blend mode of the “stars” layer to Screen.

Step 70

Now we are going to make the stars to look like some real stars. Go to Layer > New Adjustment Layer > Levels, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 71 – Adding a subtle glow to the stars

Duplicate the “stars” group (right-click on it and select Duplicate Group). Then right-click on the new group and select Convert to Smart Object. Set the blend mode of this layer to Screen, and then go to Filter > Blur > Gaussian Blur, use a value of 1px and click OK.

We don’t want all the stars to glow, so, add a mask to this layer (Layer > Layer Mask > Reveal All), select a black soft brush and paint with it over some areas of the stars.

Step 72 – Adding rays

Create a new group and name it “rays.” Create a new layer inside this group and name it “rays” too. Then download these brushes, install them, set the foreground color to white and use those brushes to create rays. Right-click on this layer and select Convert to Smart Object. Then set the blend mode of this layer to Overlay.

Step 73

Duplicate the “rays” layer, go to Filter > Blur > Gaussian Blur and use a value of 20px. Then set the opacity of this layer to 60%.

Step 74 – Creating mist

Create a new layer, set the foreground color to white and use the same brushes you used at the beginning of this tutorial (at the third step) to create mist. Set the opacity of this layer to 70% and name it “mist.” As you can see in the following image I have also used a mask. It’s up to you whether you want to use one or not.

Step 75 – Adding a quote

Select the Type Tool (T) and write a quote or anything else you want using a proper font (I used Trajan Pro). Set the opacity of this text layer to 90%.

Step 76 – Final color adjustments

Now we are going to use a technique to make the whole image more vivid. Create a new layer above all the other ones, go to Image > Apply Image and click OK. Then right-click on this layer and select Convert to Smart Object. Go to Filter > Blur > Guassian Blur and use the value 6.6px. Set the blend mode of this layer to Color and the opacity to 60%.

Duplicate this layer (Ctrl+J) and then set the blend mode of the duplicated layer to Screen and the opacity to10%.

Duplicate this layer one more time and set the blend mode of this new layer to Soft Light and the opacity to 55%.

Final Result & Conclusion

Well, here we have it. Our own piece of Heaven created in Photoshop. I hope that you enjoyed this tutorial as much as I had writing it. You can see the final result bellow. Also, you can check out the larger version here.

About the Author

Ionut Ciursa is a freelance designer based in Romania. Photoshop is one of his passions and he has been using this wonderful program for about four years. He loves to share his knowledge with others through his tutorials. He is also the founder of PSDBurn where he writes Photoshop tutorials.

Webydo’s 50K Community of Professional Designers Creating Their Websites Code-Free, Join The Revolution

Webydo’s 50K Community of Professional Designers Creating Their Websites Code-Free, Join The Revolution

Are you looking to kick start your website design by professional developers? Is there something that is getting in the way or preventing you from starting you from starting your website design project? Is the cost involved too high for you or your clients to hire a developer? These might be some of the questions on the back of your mind whenembark on a new project. Well, fear not, as Webydo is leading the way in professional online website creators to help designers create and publish their websites code-free. You might be thinking that it is similar to those sites offering website designing. Well, it’s not, Webydo is a well-known online design studio which has provided their community of designers a way around the coding so there is no need to hire a developer. Webydo offers you a diversified range of options having customized CMS (Content Management System) at your disposal and entire list of professional features to help kick start your business.

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Getting started can sometimes be the most challenging, but Webydo provides you with three clear paths to embark on. First, if you already have a vision for your design you can chose the blank canvas and spill your creative juices out onto this canvas. The other options are to take one of the basic layout options or choose a readymade inspirational design. All of these are completely customizable as well for you to make them your own.Once you have gone through the process of choosing a design, and when you feel satisfied, the site will make that virtual website into a living reality for your business and/or recreation purposes. After you create a website, you can see it live on one the Webydo subdomain, and test it out on the web, share with clients and make your edits right then and there.

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CEO of Webydo, Shmulik Grizim believes that they can bring any design to life without wasting time on writing a single line of code. The very same site has also achieved the milestone of breaking previous habits of website designing and complex coding. It has surely provided a feasible detour away from all such worries. The most remarkable feature of it includes the drag and drop option. Webydo’s professional website design studio allows you to import your favorite designs, media, photos and much more to your under-developed webpage using Webydo’s online canvas where you can assemble all the elements the way you like it. This gives you the utmost liberty of website design for each and every pixel on your webpage.

Do you want to insert any value-adding feature? Not a problem! The technical features of websites; like, blogging features propped up with various forms and Google map integration is more than just a need for any business. The popularity of this B2B website design platform is reflected from the ever-increasing influx of 50,000+ designer community within Webydo. These professional designers also helping to craft the future of the platform by regularly submitting new feature suggestions and voting on what should be added next right on the Participate page.

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Webydo is surely a unique blend of beautifully crafted webpages and endless marketing horizons for promoting a bold perspective of your very own business. Webydo has a number of qualified and expert designers which have the experience of developing numerous websites and an ability to convert them into a success. Design a website can be quite a tedious and time consuming process and this is Webydo is so remarkable, because they have provided a professional design platform for creative professionals to take full control of their design projects from creating, to publishing and managing. By allowing designers to rebrand the CMS with their logo or send branded invoices, the platform functions more efficiently for the designers at work. So, if you are looking for having better marketing prospects, you would surely contact us for crafting your very own pathway towards success.

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This article is proudly sponsored & presented by Webydo’s designer’s community.

Dissolution – 25 Years of Photoshop

Dissolution – 25 Years of Photoshop

This digital painting was created by Germany creative director or illustrator Martin Grohs. Actually it is a wallpaper, titled as “Dissolution”. It portrays one vision, one space-lady with melting space suit disappearing before a hot exploding plant. These all reflect the theme “what you take from the earth, you must give back, that is nature’s way.”

This wallpaper was made to celebrate 25 years of photoshop. The greatness of photoshop is it can present imagination to us or we can just have imaginations. While one fantastic uniqueness of this wallpaper is that it is dynamic, which shows audience a gradual progress of dissolution. Space-lady’s changing space suit, the color-changing space and the plant embody the theme of dissolution, presenting a coming explosion. And at the end of the process ,the word “dissolution” perfectly appears on the screen. This is really a piece of super-inspiring work.

Choose resolution : 2560 x 1440 . 1920 x 1200 . 1680 x 1050 . 1440 x 900 . 1280 x 1024

dis_solution

dissolution

young caucasian woman

Dissolution-25 Years of Photoshop-11

Dissolution-25 Years of Photoshop-10

Professional Brochure Printing by UPrinting

Professional Brochure Printing by UPrinting

uprinting

Introduction

UPrinting.com is a leading socially responsible online printing, marketing and technology firm, has established itself as a major player in the industry with its distinct vision and clear approach to helping small businesses grow. It serves thousands of on-demand business printing and graphic printing orders online daily, using high-quality press printing and a robust yet simple and easy-to-use online ordering system, resulting in high-end printing services and reliable color printing at discount printing costs.

UPrinting.com also offers convenient marketing support such as print design services, custom online printing quotes and direct mailing to help the small or medium-sized business grow. They are committed to social responsibility and eco-friendly printing initiatives that support non-profit organizations and environmental sustainability.

Brochure Printing

Brochures are usually a marketer’s weapon of choice. They would contain images and text designed to attract a potential buyer into making a purchase. They contain valuable product or service information and are disseminated in places with high foot traffic. A marketing tool like brochures would also work as part of a sales kit. Creative individuals can probably think of other ways to utilize brochures.

Do you need any brochure for your company too? UPrinting offers brochure printing ranging from 50 to 100,00 pieces in quantity, with 100lb Paper Gloss, 100lb Paper Matte, 10 pt. Cardstock Gloss, and 10 pt. Cardstock Matte. Different sizes available in 5.5″ x 8.5″ , 8.5″ x 11″ , 8.5″ x 14″ , 11″ x 17″ and 11″ x 23.375″. Customized sizes are also available too. They have several folding options, Half Fold, Trifold/Letterfold, Z-Fold, Roll Fold and Accordion Fold. Usually the turnaround is only 1 to 3 Business Days.

What are you waiting for? Just try out their service, and I am sure you will love them since then. With the help of their Easy Design Tool, creating a unique design you can call your own is real easy!

This post is sponsored by UPrinting.com, online printing company. See more information about brochure printing and other printing services available on UPrinting.com

VIP Downloads of Top Quality Design Resources

VIP Downloads of Top Quality Design Resources

VIP Downloads of Over 2500 Top Quality Design Resources

PhotoshopLady works in partnership with WeGraphics to provide to his community the best design resources at the lowest price. By joining the premium membership, you will get access to ready-to-use sets of brushes, vectors, textures, icons and other awesome stuff paying only 7$/month or 49$/year. The arsenal of design items currently contains more than 2500 resources, with 3 new sets weekly added. And there’s a discount for Photoshoplady’s friends! By using the coupon ‘wp-pslady‘, you will get a 10% off on the yearly accounts (both recurring billing and pre-paid membership).

Want to learn more? Visit WeGraphics.net

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10 Free Resources for Web Designers

10 Free Resources for Web Designers

As a designer, sometimes it’s difficult to get started on a new project. Maybe You will need to scour the web for inspiration, or doodle on a notepad to hopefully get some ideas. That’s when you need to look through collections of freebies.

Fortunately, enhancing your web design doesn’t have to cost a small fortune or take a lot of time. Here are 10 Awesome Freebies for Designers that can help enhance your web presence today.

1) Vector Icons

200 vector icons are fantastic for use on all manner of sites. With subjects ranging from science to entertaining, the vast scope of the icons means that you’re bound to find something useful.

This vector icon pack includes 200 vector shapes, meaning you can scale them up as much as you like and they’ll stay sharp. Each file includes AI, EPS, PSD and JPG files. They’re good for use on both personal and professional projects.

vector-icons-free

2) CORP responsive WordPress theme

CORP is a clean and versatile theme that’s absolutely packed with features. The simple grid layout provides an ideal frame to hang your content on, it’s ideal for corporations that need an online presence in a hurry, or as a starting point for any business whose brand image projects organization.

The theme was tested up to WordPress 3.5.1; it features the drag and drop GT3 Page Builder; it’s fully responsive and retina ready; it’s coded with SEO and best practices in mind; Google webfonts are supported; different header layouts are available; custom menus, backgrounds, modules, shortcodes and widgets are all included; there’s a premium slider plugin; complete documentation; and much, much more…

wp-theme2

3) Flat Rounded Social Icons

Flat design is all the rage, and trend-conscious clients are beginning to ask for redesigns to meet the current fad for all things flat. Here is a set of free almost-flat social icons which is designed to embrace flat design without surrendering to it completely, the set is a great way to iron out your current design.

social-icons

4) Flowing Borders & Ribbons

Here is a set of 46 hand-drawn frame and ribbon vectors. Scribbled onto a page and then digitized, the liberated borders look like they were drawn in the heyday of UPA cartoons; I half expect to see Mr. Magoo, or Gerald McBoing Boing, come wandering across the page.

Add a light watercolor wash and combine them with a heavily scrolling script typeface and they’d make a lovely, and personal feeling, addition to any wedding stationery.

ribbon

5) Colorful Grunge Textures

This set of 25 Colorful Grunge Textures is perfect for use as overlay textures on your photos. The pack contains 25 .jpg textures at 5000 by 5000px saved at 300ppi. The textures are compatible with all photo editors that support layers (Photoshop, Photoshop Elements, GIMP, Pixelmator etc.), both PC and Mac.

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6) Modus Versus PSD Template

Modus Versus is a free multi-purpose PSD template, designed on the 1170 grid system. Excellent for use with responsive frameworks like the popular Twitter Bootstrap, it could form the basis of a good corporate site. It would be an ideal choice for a marketing or professional services company, or you could pick it apart and use elements of it in other projects.

theme

7) Flat UI Kit

Flat design is more of a rejection of 3D artifice than it is a style, which fits so perfectly into the contemporary landscape that it’s already hard to envisage a time when it wasn’t de rigueur. To help you take the leap into flat design WebDesignerDepot put together this great freebie: A free flat UI kit.

ui-kit

8) Bluetron icons

This is a set of 40 fantastic icons called Bluetron. They are available as PNG files (256 x 256px). You can use them for free for both personal and commercial purposes. The icons were designed by Waqas Ahmed who’s the founder and blogger of The Art Times and Lead Designer at Iconic Graphics.

blue-icons

9) Ultimate Social Icon Set

This is a social icon set which contains all the latest icons needed for you social needs! It includes a total of 75 icons, provided in three sizes: 16×16, 32×32 and 64×64. The file is free for personal and commercial use.

social-media

10) Exclusive Photoshop Patterns

This one is a Photoshop pattern file (.PAT) which contains 40 beautiful textures that you can apply to your designs. A detailed step by step instruction is provided inside the file to help you use them. You can use these as textures for your websites or any background.

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About Photoshop Lady

About Photoshop Lady

Photoshop Lady aims to collect the best and free photoshop tutorials around the internet. All of the high quality photoshop tutorials are categorized into 3D Effect, Abstract Effect, Drawing Effect, Photo Effect, Text Effect, Texture & Patterns and User Interface Design.

You can see the rating and number of views for each Photoshop tutorials.You can add your favorite photoshop tutorials simply by clicking “Add to Favorite”, so that you can revisit them at any time. You can also drag your favorite photoshop tutorials into the bin if you do not need them anymore.

Photoshop Lady is updated daily. Please make sure you have subscribe to our RSS Feed as well, so that you can receive new high quality photoshop tutorials everyday. We are very welcome you to submit your own photoshop tutorials to us as well. There will be more features coming soon. Please stay tuned.

How To Paint A Poe & Pluton Cartoon Portrait in Photoshop

How To Paint A Poe & Pluton Cartoon Portrait in Photoshop

Final Image Preview

On this tutorial we will make a Poe and Pluton cartoon portrait, using custom brushes created by ourselves

Tutorial Assets

Watercolor Texture

Paper Texture

Step 1

Open a new document of 1800px high and 1200px wide. First, we will set up what will be the brush that we are going to use to draw the general lines, from the Brush Selector pick the brush no.30, Hard Round, and set its opacity to 75% and Flow to 35%.

Step 2

Now, on the Brush Presets menu (F5), make the following settings, check the Shape Dynamics and Transfer boxes, and adjust Spacing to 1%. You can see the final shape of the Brush.

Step 3

Create a new layer “Poe”, and leave its default setting. With the Brush we created, start drawing the face, neck and shoulders, adjust the size to get thicker strokes on the garb, and thinner strokes for the face, hair, and neck. Draw flowing strokes, without taking much care on the detail, afterwards use the Erase Tool to remove the unwanted parts of the strokes. Also use the Erase Tool to create the eye’s brights.

Step 4

Next, on a new layer “Body & Pluton”, start drawing the Poe’s lower body and Pluton. On the picture you can see that the strokes just establish the main forms, using stains instead of precise lines. Again, use the Erase Tool to remove certain areas as Pluton’s eyes and Poe’s fingers.

Step 5

We will add an extra layer “Lower Body”, where we will paint the area between Poe and Pluton. After, this will be useful for split the two elements and avoid to mix them together. Notice the erased area beside the Pluton’s head.

Step 6

Now, let’s start to create our custom watercolor brush. Use a new layer to paint two brush strokes as shown, using the Soft Round Brush. Notice that they aren’t symmetrical, this will be better for the final result. Next, go to Edit > Define Brush, we can name it “watercolor”, now it is ready on the Brush List for being used.

Step 7

Next, on the Brush Presets (F5), start setting the following adjustments, check the Shape Dynamics box, and adjust Spacing to 1%.

Step 8

Check the Scattering box and adjust its settings as shown. The same with the Transfer option. You can see how the brush shape changes on the display.

Step 9

Finally check the Dual Brush box and select the brush number 45 with the following settings. Now we have our watercolor brush ready for be used.

Step 10

Pick the Smudge Tool, and with the watercolor brush, smudge the painted layers we created before. Adjust the Strength to get different results.

Step 11

Create a new layer “Details” and with a Hard Round Brush paint the fine details as cat’s whiskers and some loose hairs. Next, with the Smudge Tool, and a Soft Round Brush selected, drag some portions of black to create more cat fur, with a small brush size selected.

Step 12

Now, we will create another textured brush. Using the brush number 30 as a base, apply the following settings on the Space Dynamics and Scattering sliders.

Step 13

Following with the Transfer and Dual Box adjustments.

Step 14

Picking the Eraser Tool, and the brush we just create selected, erase some edges of Poe’s suit to imitate a dry brush watercolor effect.

Step 15

Next, create a new layer “Pluton’s Eyes”, and on it draw the necessary brush strokes to draw the eye’s pupil, yes, remember that it only has one…and the eye’s shadows. With white color, paint the tusk and the eye’s brights.

Step 16

For the Poe’s face shadows, select the brush number 30 and adjust it as shown.

Step 17

For the Poe’s face shadows, create a new layer “Poe Face Shadows”, set its Blending Mode to Normal and 60% opacity. Start painting the shadows as cheeks, chin, eye sockets, etc. Overlap more than one brush stroke to achieve darker tones.

Step 18

Let’s start with the background, create a new layer “Background Color”, just bellow of the layer we created before. On it, with the Gradient Tool, select a brownish tone and make a gradient from bottom to upper zone as shown.

Step 19

Next, to start making the lights, create a new layer “Highlights”, with the brush we created on step 16, select white color, and start painting the lights, I chose a cenital light, so it impacts on the upper areas of volumes as shown.


Step 20

To add some vignetting on the background, go to Filters > Lens Correction, and on the Custom tab you will find out the Vignette Amount slider, a quantity of -40 will be ok.

Step 21

To create the paper texture, we will add a real paper image. Create a new layer “Paper Texture”, set its Blending Mode to Multiply and 30% Opacity. Next, Copy and Paste the paper image on that layer.

Step 22

Next, we will add an spotlight just behind Poe. Create a new layer “Spotlight”, set its Blending Mode to Lighten and 50% Opacity. With the Elliptical Marquee Tool, create a circle, place it behind the Poe’s shoulders and fill it with withe color, next go to Filter > Blur > Gaussian Bluer, and blur its edges. To avoid that the white overlap to Poe, create a Layer Mask and hide the unwanted areas.

Step 23

Continuing adding textures, create a new layer “Ink Stain”, set its Blending Mode to Lighten and 80% Opacity. On it, place one of the ink textures you will find on the assets as shown.

Step 24

More textures…Create a new layer “Aged Texture”, set its Blending Mode to Soft Light, and 80% Opacity. On it place again one of the ink textures from the assets to give an aged finish to the image. Notice that all textures are placed bellow Poe & Pluton’s layers, to keep them clean on other plane.

Step 25

Now the image is almost finished, create a new Group and put in it all the layers. Next save the document as .JPG, open it, and place this file on top.

Step 26

With the Dodge Tool, light up a bit some areas to create more contrast. The watercolor brush will be a good choice to do that.

Step 27

Again, let’s add some more vignetting, go to Filters > Lens Correction, and adjust the Amount slider to -30.

Step 28

Finally, to add some noise to the image, create a new layer “Noise”, set its Blending Mode to Multiply, and fill it (Shift + F5) with white color. Next, go to Filters > Noise > Add Noise, a quantity between 8 and 10 will work.

Step 29

And this is the final result