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Creative and Unique Bow Ties from BowSelecTie

Creative and Unique Bow Ties from BowSelecTie

You may have the impression that a bow tie is either a thing for nerds, a tie for that weird joker in the office, or something you must have for any formal event like a wedding. Bow Select Tie is here to change your ideas about bow ties completely and forever. We love bow ties. We have endeavored to create the most unique bow ties that are sure to get you noticed. Naturally, we have a huge selection of classic bow ties that fit every occasion and dress. Amazingly daring and bold bow ties are our forte.

We feel that a bow tie should allow the wearer to express themselves in an unforgettable way. We have wooden bow ties that are real wood, a vibrantly colored collection of feather bow ties that go with any shirt or coat, humorous bow ties, and bow ties that celebrate your country or city.

bow-ties

We know that many men are intimidated by having to tie a bow tie. We have pre-tied bow ties and our collection of self-tied bow ties comes with complete instructions to tie your bow tie. We have the bow tie for the man that prefers a classic look and the chic styling that classic bow ties add to any shirt or suit. We also have the most daring and outrageous bow ties that any man or woman could possibly desire.

Celebrate your favorite sport, a game you love to play, your interest in science, or your favorite cartoon character. We also have the largest collections of bow ties inspired by Chinese and Japanese art and design. Our ties let you express your passion for computers, comics, candy, money, fish, fruit, newspapers, and cities. We have designed the most elegant selection of formal classic bow ties in patterns and colors that go with anything. Our variations on the black bow tie let you express yourself in subtle and not so subtle ways.

Bow Select Tie is designed to let you experience the variety of material, color, pattern, texture, and shape that bow ties can have. We want you to look your best for that special event or person and we want you to be as bold and brassy as you dare to be. We have created a collection of bow ties that brings the bow tie off the formal wear rack and straight into the main stream of haute couture. Our desire is that you look great and feel great when you stand out from the crowd wearing one of our exquisitely designed bow ties, e.g. Peacock Feather Bow Tie.

Bow Select Tie is the place for the largest selection of bow ties. We held nothing back in our designs. We designed with you in mind. Wear a tie that gets you the attention that you want and deserve. Wear a Bow Select Tie.

Yellow Bow Tie

yellow-bow-tie

Wooden Bow Tie

wooden-bow-tie

Red Bow Tie

red-bow-tie

Feather Bow Tie

feather-bow-tie

Black and White Bow Tie

black-white-bow-tie

How To Paint A Poe & Pluton Cartoon Portrait in Photoshop

How To Paint A Poe & Pluton Cartoon Portrait in Photoshop

Final Image Preview

On this tutorial we will make a Poe and Pluton cartoon portrait, using custom brushes created by ourselves

Tutorial Assets

Watercolor Texture

Paper Texture

Step 1

Open a new document of 1800px high and 1200px wide. First, we will set up what will be the brush that we are going to use to draw the general lines, from the Brush Selector pick the brush no.30, Hard Round, and set its opacity to 75% and Flow to 35%.

Step 2

Now, on the Brush Presets menu (F5), make the following settings, check the Shape Dynamics and Transfer boxes, and adjust Spacing to 1%. You can see the final shape of the Brush.

Step 3

Create a new layer “Poe”, and leave its default setting. With the Brush we created, start drawing the face, neck and shoulders, adjust the size to get thicker strokes on the garb, and thinner strokes for the face, hair, and neck. Draw flowing strokes, without taking much care on the detail, afterwards use the Erase Tool to remove the unwanted parts of the strokes. Also use the Erase Tool to create the eye’s brights.

Step 4

Next, on a new layer “Body & Pluton”, start drawing the Poe’s lower body and Pluton. On the picture you can see that the strokes just establish the main forms, using stains instead of precise lines. Again, use the Erase Tool to remove certain areas as Pluton’s eyes and Poe’s fingers.

Step 5

We will add an extra layer “Lower Body”, where we will paint the area between Poe and Pluton. After, this will be useful for split the two elements and avoid to mix them together. Notice the erased area beside the Pluton’s head.

Step 6

Now, let’s start to create our custom watercolor brush. Use a new layer to paint two brush strokes as shown, using the Soft Round Brush. Notice that they aren’t symmetrical, this will be better for the final result. Next, go to Edit > Define Brush, we can name it “watercolor”, now it is ready on the Brush List for being used.

Step 7

Next, on the Brush Presets (F5), start setting the following adjustments, check the Shape Dynamics box, and adjust Spacing to 1%.

Step 8

Check the Scattering box and adjust its settings as shown. The same with the Transfer option. You can see how the brush shape changes on the display.

Step 9

Finally check the Dual Brush box and select the brush number 45 with the following settings. Now we have our watercolor brush ready for be used.

Step 10

Pick the Smudge Tool, and with the watercolor brush, smudge the painted layers we created before. Adjust the Strength to get different results.

Step 11

Create a new layer “Details” and with a Hard Round Brush paint the fine details as cat’s whiskers and some loose hairs. Next, with the Smudge Tool, and a Soft Round Brush selected, drag some portions of black to create more cat fur, with a small brush size selected.

Step 12

Now, we will create another textured brush. Using the brush number 30 as a base, apply the following settings on the Space Dynamics and Scattering sliders.

Step 13

Following with the Transfer and Dual Box adjustments.

Step 14

Picking the Eraser Tool, and the brush we just create selected, erase some edges of Poe’s suit to imitate a dry brush watercolor effect.

Step 15

Next, create a new layer “Pluton’s Eyes”, and on it draw the necessary brush strokes to draw the eye’s pupil, yes, remember that it only has one…and the eye’s shadows. With white color, paint the tusk and the eye’s brights.

Step 16

For the Poe’s face shadows, select the brush number 30 and adjust it as shown.

Step 17

For the Poe’s face shadows, create a new layer “Poe Face Shadows”, set its Blending Mode to Normal and 60% opacity. Start painting the shadows as cheeks, chin, eye sockets, etc. Overlap more than one brush stroke to achieve darker tones.

Step 18

Let’s start with the background, create a new layer “Background Color”, just bellow of the layer we created before. On it, with the Gradient Tool, select a brownish tone and make a gradient from bottom to upper zone as shown.

Step 19

Next, to start making the lights, create a new layer “Highlights”, with the brush we created on step 16, select white color, and start painting the lights, I chose a cenital light, so it impacts on the upper areas of volumes as shown.


Step 20

To add some vignetting on the background, go to Filters > Lens Correction, and on the Custom tab you will find out the Vignette Amount slider, a quantity of -40 will be ok.

Step 21

To create the paper texture, we will add a real paper image. Create a new layer “Paper Texture”, set its Blending Mode to Multiply and 30% Opacity. Next, Copy and Paste the paper image on that layer.

Step 22

Next, we will add an spotlight just behind Poe. Create a new layer “Spotlight”, set its Blending Mode to Lighten and 50% Opacity. With the Elliptical Marquee Tool, create a circle, place it behind the Poe’s shoulders and fill it with withe color, next go to Filter > Blur > Gaussian Bluer, and blur its edges. To avoid that the white overlap to Poe, create a Layer Mask and hide the unwanted areas.

Step 23

Continuing adding textures, create a new layer “Ink Stain”, set its Blending Mode to Lighten and 80% Opacity. On it, place one of the ink textures you will find on the assets as shown.

Step 24

More textures…Create a new layer “Aged Texture”, set its Blending Mode to Soft Light, and 80% Opacity. On it place again one of the ink textures from the assets to give an aged finish to the image. Notice that all textures are placed bellow Poe & Pluton’s layers, to keep them clean on other plane.

Step 25

Now the image is almost finished, create a new Group and put in it all the layers. Next save the document as .JPG, open it, and place this file on top.

Step 26

With the Dodge Tool, light up a bit some areas to create more contrast. The watercolor brush will be a good choice to do that.

Step 27

Again, let’s add some more vignetting, go to Filters > Lens Correction, and adjust the Amount slider to -30.

Step 28

Finally, to add some noise to the image, create a new layer “Noise”, set its Blending Mode to Multiply, and fill it (Shift + F5) with white color. Next, go to Filters > Noise > Add Noise, a quantity between 8 and 10 will work.

Step 29

And this is the final result

Realistic Decorated Wine Bottle Illustration

Realistic Decorated Wine Bottle Illustration

In this tutorial I will teach how create a realistic bottle illustration and some shadow and cut techniques.

final-s.jpg

Step 1

Create a new file with 700px of width and 700px of height. Now use the pen tool (shortcut “p”) to draw one side of bottle. If you don’t know how use the pen tool take a look at this link of photoshop online help When you reach the desired result now use the Direct Selection Tool (shortcut “a”) to select all point of path, hold ALT and drag the path to duplicate. Now, still using Direct Selection (Shortcut “a”) select all point of the second side, right click and select “Free Transform Path“, go to menu “Edit/Tranform Path/Flip Horizontal“. Place the flipped path on the right place to create the bottle silhouette.

photoshop-tutorial1.jpg

Step 2

Now, we need to close the silhouette. First, using the pen tool(“p”) close the top of bottle. Go to the bottom o silhuette and do the same thing but with a little curve between points. Like above:

photoshop-tutorial2.jpg

Step 3

Go to the “Paths” tab and click on fill option button at bottom of panel. After this, make sure your path layer still there on paths tab, never erase or overwrite the layer of the bottle path. Now we have the bottle, but we need some color and realistic details, in most cases this can be done using some gradient and shadow effects. To apply Gradient without lost the initial shape we use the blending options.

photoshop-tutorial3.jpg

Step 4

Go back to the layers tab and right click on the bottle layer and select “Blending Options“. Check the Gradient Overlay, define Style to Linear and Angle to 0 and double click on the Gradient field to open the Gradient Editor. Create a new custom gradient using the color #878398,#9c96b3,#413e4d,#7c7792,#878398. Like below:

photoshop-tutorial4.jpg

Step 5

Create new layer and change name to reflection. Go to the paths tab, duplicate the bottle path(right click on the path layer) and resize the points of path to reach the first image above. Fill the path with white color. Back to the layer tab, apply a gradient overlay in blending options and set the Gradient Fill with some white and gray color and define the opacity field to 60% and close the Blending Options window. Now go to the blend mode of the reflection layer and set to Soft Light and change the opacity to something like 45%:

photoshop-tutorial5.jpg

Step 6

Go back to the blending options in the bottle layer and define inner shadow like below, and create a Stroke like below:

photoshop-tutorial6.jpg

Step 7

We need a label for wine glass. Create a new rectangle with Rectangle Tool, place the rectangle layer between reflection layer and bottle layer, rename it to “label”. Go to Blending Options again and apply a dropshadow with 41% opacity, distance 0 and size of 2. Now apply a Gradient Overlay with the settings like below:

photoshop-tutorial7.jpg

Step 8

Create some texts like the title and some description to fill the space, use old style fonts, for me Trajan Pro is a good one. Add some vector shapes with old flourishe style, the result will be something like this:

photoshop-tutorial8.jpg

Step 9

Create new path with the stopper shape, fill with brown collor(#988c6c). Go to Filer/Noise/, Add Noise and set the Amount value to 5. Now it’s to other gradient, add gradient overlay in blending options windows on this layer. Define Blend Mode of Gradient Overlay to Vivid Light and set angle to 0 and create a gradient #000000 to #957c34 and back to #000000. With this step we get a good stopper like below:

photoshop-tutorial9.jpg

Step 10

Now we jump to details. Create a new layer and a simple path to reproduce a ring on that layer, fill it. Create a dropshadow with Blending Options like below and add a Gradient Overlay. Use the colors to reproduce gold material (I use these #d1c04c,#eae2aa,#a48440,#645025,#3a2e14). Look step by step below:

photoshop-tutorial10.jpg

Step 11

More details. Create duplicate the stopper path and change her size to wrap the neck, fill it with black:

photoshop-tutorial11.jpg

Step 12

We almost finish. To create a coll background select #063e41 color and fill a background layer of document. Go to Filter/Render/Lighting Effects and select Omni Light Type.

photoshop-tutorial12.jpg

Step 13

Now we need a realistic shadow. Duplicate the bottle layer, remove all effects(right click on layer “Clear Effects“), go to Edit/Transform/Wrap menu or hold CTRL on the edge o shape and resize it to reach this result:

photoshop-tutorial13.jpg

Step 14

Go to Image/Adjustments/Hue Saturation menu or press CTRL+U on windows. Change the lightness to -100. Go to Filter/Blur/Gaussian Blur menu and set it to 8. Change the opacity of layer to 34%:

photoshop-tutorial14.jpg

Step 15

Add some flowers. Open this images on photoshop, go to Channels tab select the most contrasted channel, duplicate him, increase the constrast of duplicated channel layer in Image/Adjusments/Brightness/Contrast and Image/Adjusments/Curve, use Quick Selection Tool(“w”) to create a fast selection of areas outside the flower. Delete the duplicated channel, back to the RGB channel, right click on the selection and select inverse. Cut and paste the flower on the bottle document. Repeate the same step to cut other flower. Othe tip is increase the brightness of flower (Image/Adjustments/Curves) to made things more white. Define some dropshadow in Blending options for eache flower:

photoshop-tutorial15.jpg

Step 16

Use some vectors like this and change the blend mode of vector layer to Luminosity and opacity to 50%. We also add an reflection effect in the bottle(we can teach how create reflection in some other tutorial):

photoshop-tutorial16.jpg

Conclusion

With this tutorial you learned how create a realistic bottle, shadows and how work with Blend Mode, Gradients. With some easy steps you can reach a good effect.

final.jpg

How to Create an Essentially Beautiful Flyer

How to Create an Essentially Beautiful Flyer

In today’s tutorial we will be showing you how to make use of simple elements and colors in Photoshop to get an essentially beautiful outcome. People always over complicate things, that’s why we will be having a simple approach towards this large piece. We will be teaching you in a step by step manner and hopefully you can learn something new from this tutorial. Let’s get to it.

Tutorial Requirements

Stock: Model Wearing Purple Dress
Brushes: Abstract Glow Brushes by Ro-stock
Elements: Elements Pack
Textures: DSC_0042
Time: 1 Hour

Final Preview

Step 1

The first thing you have to do is decide what stock image you are going to use and what your output size for the large piece is going to be. Are you going to print it in a A3 size or are you going to only use it on the web. In our case we will be making a large enough image to use on the web and in print if necessary. Go ahead and open up Photoshop and then create a new document by going to File>New (CTRL+N) then create a document with the settings below.

Step 2

Now that you have a blank document in front of you it’s time to create your color base for the design. Go to Layer>New Fill Layer>Gradient this will bring up a gradient fill box. Now double click the gradient to setup a new gradient and set the gradient from #3c6c94 to #c0ecf8 (See below) Once you have created your gradient hit OK>OK and then you will see a nice smooth, good looking gradient as your base.

Step 3

Time to make use of the first downloaded texture, it’s called DSC_0042 I am not aware who the author of the texture is due to having the texture for quite some time now. Open up the texture and drag it into your canvas. Set the layer’s blending mode to Overlay and erase parts of the layer you don’t want. Now create a new layer Layer>New>Layer (SHIFT+CTRL+N) and use a big soft brush with the color #6b6b6b and brush over your entire canvas, then set the blending mode to Overlay. Lastly go to Layer>New Adjustment Layer>Gradient Map use the default gradient map, which is Black to White and then set the blending mode to Multiply and the Opacity to 76% This is what you should have below.

Step 4

Now it’s time to bring in our stock photograph, I have chosen to use one from iStock Photo. Open up your model picture in Photoshop and start to remove the background from around your model if you don’t know how to do it, follow This Tutorial from Media Militia. Now that you have removed the background from the models picture you can drag your model into your canvas and you should have something like this below.

Step 5

Now that you have your model in the canvas, it’s time to start working on the effects. Create a new layer and take a big black soft brush and then brush at the bottom of your canvas, just to add a darker feel at the bottom. You should have something like this below.

Step 6

In this step we will start adding lighting to the model. Create a new layer and fill it with black #000000. Now set the blending mode to Linear Dodge and select your brush tool with a soft brush of about 960px big. Now start using different colors to blend your model and lighten up the canvas. I used the following colors: Blue #005d7f | Pink #570033 & #970059 | Green #617c01 | Red #810007 I mixed those colors together and then finally used a hard small brush with White #FFFFFF to create the dots that you see on the chart below. The image you see below is the layer with colors without the blending mode.

Here you can see what the outcome is after the blending mode is set to Linear Dodge.

Step 7

You can see the piece is coming together now. In this step we will be repeating the exact same thing we did in Step 6 just with a bit different colors. Create a new layer and fill it with black #000000 now set the blending mode to Linear Dodge and grab your brush tool with a soft brush sized 700px now choose the colors that you want to use to light up the canvas. I used Pink #450627 & #32041b | Green #1a1900 you are free to use any colors that you desire though. See color placement below.

Now add in another soft pink in the top left hand corner just to balance the color in the piece.

Now make sure both your layers are set to linear dodge. You should have something like below.

Step 8

Now it’s time to add in some elements. In this case we will be adding in some butterflies, stars and cogs. I have made these elements available for download as a package Elements Pack Now you can import these elements into your canvas and then place them around how you would like them to be placed. I added in the cogs first and set some of their blending modes to overlay just to give a variety of depth.


Now I added in the stars and placed them around as I wanted, depending on the image you use, you can position them to flow with your design.

Next I added in the butterflies, I made some of them bigger than the others to also portrait depth in the piece. This is what I have so far below.

Step 9

In this step we will be adding some image adjustments. Go to Layer>New Adjustment Layer>Brightness/Contrast. Leave the brightness at 0 and make the contrast -20 now press OK to accept the changes. Now go back to Layer>New Adjustment Layer>Curves Use the RGB Channel and just curve your line out a tiny bit to darken the middle of the piece a bit. You should have something like this below.

Step 10

Now it’s time to make use of some brushes. Navigate down your layers palette and create a new layer just underneath your model layer. Now grab your brush tool and make use of Abstract Glow Brushes by Ro-stock now choose your brush from the pack and brush underneath the model layer to give it a mystical feeling. I made use of 2 different brushes in this case to make things flow well. I have something like this below.

Step 11

In our final step we will be sharpening the image. Firstly create a new layer by going to Layer>New>Layer and then go to Image>Apply Image. Now that you have a applied image go to Filter>Other>High Pass now use a radius of 10px and hit OK. Now set your blending mode to Overlay and your opacity down to 42% and you are done.

Final Preview

Photoshop Tutorials Submission Form

Photoshop Tutorials Submission Form

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The Evolution of Photoshop Infographic

The Evolution of Photoshop Infographic

In 1987, Thomas Knoll, a PhD student at the University of Michigan began writing a program on his Macintosh Plus to display grayscale images on a monochrome display. This program, called Display, caught the attention of his brother John Knoll, an Industrial Light & Magic employee, who recommended Thomas turn it into a fully-fledged image editing program. Thomas took a six month break from his studies in 1988 to collaborate with his brother on the program, which had been renamed ImagePro. Later that year, Thomas renamed his program Photoshop.

During this time, John traveled to Silicon Valley and gave a demonstration of the program to engineers at Apple and Russell Brown, art director at Adobe. Both showings were successful, and Adobe decided to purchase the license to distribute in September 1988. While John worked on plug-ins in California, Thomas remained in Ann Arbor writing program code. Photoshop 1.0 was released in 1990 for Macintosh exclusively.

That’s the early history of Photoshop. Here we have created The Evolution of Photoshop Infographic, in order to show you the entire history of Photoshop up until now.

Click to enlarge.

evolution-photoshop

About the Author

Dona Collins is an infographic artist, blogger and financial writer at CreditLoan.com. When she is free you can find her on twitter and other times you can find her writing articles for creditloan blog.

Professional Brochure Printing by UPrinting

Professional Brochure Printing by UPrinting

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Introduction

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Brochure Printing

Brochures are usually a marketer’s weapon of choice. They would contain images and text designed to attract a potential buyer into making a purchase. They contain valuable product or service information and are disseminated in places with high foot traffic. A marketing tool like brochures would also work as part of a sales kit. Creative individuals can probably think of other ways to utilize brochures.

Do you need any brochure for your company too? UPrinting offers brochure printing ranging from 50 to 100,00 pieces in quantity, with 100lb Paper Gloss, 100lb Paper Matte, 10 pt. Cardstock Gloss, and 10 pt. Cardstock Matte. Different sizes available in 5.5″ x 8.5″ , 8.5″ x 11″ , 8.5″ x 14″ , 11″ x 17″ and 11″ x 23.375″. Customized sizes are also available too. They have several folding options, Half Fold, Trifold/Letterfold, Z-Fold, Roll Fold and Accordion Fold. Usually the turnaround is only 1 to 3 Business Days.

What are you waiting for? Just try out their service, and I am sure you will love them since then. With the help of their Easy Design Tool, creating a unique design you can call your own is real easy!

This post is sponsored by UPrinting.com, online printing company. See more information about brochure printing and other printing services available on UPrinting.com

Inky Deals Giveaway: 11” MacBook Air & Design Resources

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