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Increible Glass Broken Effect for Text

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Free Download: Vector Polygon Speech Bubble Icons

Free Download: Vector Polygon Speech Bubble Icons

There are many icons on the internet. However, you may find very difficult to look for a high quality one. Sometimes, to enable your design to have better expression, speech icons are very useful.

This nice set of speech icons is deisgned by Vecteezy. It contains numbers of speech icons which can allow you to apply to different scenarios. More importantly, it is completely free for your use. You can download the icons enhance your web presence today. The iconset is in psd, ai and eps for your ease of use.

polygonal-speech-bubble-set

Download for Free Now

A Roundup of 25 Awesome Natural Themed Fonts

A Roundup of 25 Awesome Natural Themed Fonts

Thanks to climate change and a general shift towards eco-living, natural fonts are in high demand right now. We’ve scoured the web to find the best fonts with a natural theme available anywhere, for you to use in your own work. Some are conventional, others are wildly imaginative, but all should serve as a great source of inspiration when creating designs of a natural persuasion. Leaves, logs, trees, beaches, flowers, stones, stars, bugs and even human hair- you’ll find it all, and much more, below.

1. Touch of Nature

This ‘submarine’ font is perfect for use in any aquatic design. Complete with little fishies, it’s reminiscent of fish tanks and sea-life centres.

2. Tree Like

Bowed and warped, Tree Like has a really unique look and ties in perfectly with epic high fantasy. Think: Lord of the Rings.

3. Flame

I love this font! Quirky, peculiar and idiosyncratic, it would be perfect for promotion of a really cool, indie band.

4. Apple Tree

Apple Tree manages to look organic, despite its modern, some-might-say futuristic design. It would look great in work based around futuristic methods of sustainability and carbon conservation.

5. Beach Type

Beach Type is a chilled-out, laid-back kind of font. It’s the font you’d expect to appear on a beach bar on some exotic island.

6. Wood 2

Wood 2 has a classic, handmade feel. Characters seem to have been nailed together from bits of old timber. It’s perfect for work with an organic theme.

7. Flowers Cube

Flowers Cube is an embellished version of a classic, angular font. It has a real vintage feel to it.

8. Natural Log

Natural Log’s spindly, hand-drawn aesthetic makes it perfect for designs aimed at children.

9. Flower 3

Simplicity at its best, Flower 3 looks as though it was written with a blade of grass dipped in ink. It’s utterly charming. Perfect in work centred around agriculture and the countryside.

10. Seaweed Fire

Seaweed Fire is spiky, compact and rather dismal, but fantastic all the same. It should be used in anything to do with horror.

11. Charcoal First

Unruly and irregular, with some letters bigger than others, Charcoal First has a definite graffiti-like, urban quality. It looks like it’s been written quickly, possibly on a wall somewhere!

12. Wild Wood

Rooted to the ground and covered in thin shoots, Wild Wood looks like something from a modern fairytale. It has a certain Tim Burtonesque, gothic quality to it.

13. Stone Cold

Grungy and weathered, Stone Cold is abstract, but still easy to read. This font certainly looks better when it’s bigger.

14. Beyond Sky

Beyond Sky is a very feminine, dreamy font. It’s gorgeous and would ideally suit being used in the beauty industry.

15. Wood Sticks

The cartoon-like Wood Sticks font has a cheerful, light-hearted appearance. It would look great on the menu of a vegan cafe.

16. Night Sky

Night Sky is such a fun font, surrounded by stars and crescent moons. Why not use it in a children’s book or on a website aimed at kids?

17. Bingo Star

Stars are tightly clustered together to form the letters of this highly original, delightful font. If you’re looking for a font that’s unique, this is the one for you.

18. Earth

Sleek, slick, cool and highly professional, Earth is a font fit for the ‘space age’. It’s perfect for use on promotional flyers for club nights or modern, dance music events.

19. Galaxy 1

Similar to the Earth font, Galaxy has a real vintage quality. Like the font used in Star Wars, it looks like it has come straight from the 70s, which is great for use in vintage designs.

20. Alpha Woman Hair

You can’t help but laugh when you look at this font. Cheesy and pretty ridiculous, its letters are formed from various hairstyles. Not to be taken seriously, however, it could be used to great effect in a tongue-in-cheek design.

21. Moon Star

Moon Star looks like something from a 60s TV show like Bewitched or The Jetsons. It’s really magical and would fit well with 60s/70s-like vintage designs.

22. Little Insect

So cute, Little Insect is another hand-drawn font ideal for children or companies with a soft, caring image.

23. Animal Caps

Each Animal Caps letter looks like an antique object. While it won’t fit with much modern graphic design, it’s so imaginative; I just had to include it in this list.

24. Sea Dreams

Sea Dreams looks like it’s suffered from a degree of coastal erosion itself. Soft and calming, why not use it on the front cover of a suitable novel.

25. JF Jungle Rock

Chunky characters, shrouded in plants and bugs, JF Jungle Rock looks like something out of a classic, tropical arcade game. It’s certainly got a hint of caveman about it.

Tom Walker is a blogger and designer working with an online supplier of MFC cartridges, inks and various other print materials to the creative industry. He often writes about innovative advertising and design on the CreativeCloud.

How to Create an Essentially Beautiful Flyer

How to Create an Essentially Beautiful Flyer

In today’s tutorial we will be showing you how to make use of simple elements and colors in Photoshop to get an essentially beautiful outcome. People always over complicate things, that’s why we will be having a simple approach towards this large piece. We will be teaching you in a step by step manner and hopefully you can learn something new from this tutorial. Let’s get to it.

Tutorial Requirements

Stock: Model Wearing Purple Dress
Brushes: Abstract Glow Brushes by Ro-stock
Elements: Elements Pack
Textures: DSC_0042
Time: 1 Hour

Final Preview

Step 1

The first thing you have to do is decide what stock image you are going to use and what your output size for the large piece is going to be. Are you going to print it in a A3 size or are you going to only use it on the web. In our case we will be making a large enough image to use on the web and in print if necessary. Go ahead and open up Photoshop and then create a new document by going to File>New (CTRL+N) then create a document with the settings below.

Step 2

Now that you have a blank document in front of you it’s time to create your color base for the design. Go to Layer>New Fill Layer>Gradient this will bring up a gradient fill box. Now double click the gradient to setup a new gradient and set the gradient from #3c6c94 to #c0ecf8 (See below) Once you have created your gradient hit OK>OK and then you will see a nice smooth, good looking gradient as your base.

Step 3

Time to make use of the first downloaded texture, it’s called DSC_0042 I am not aware who the author of the texture is due to having the texture for quite some time now. Open up the texture and drag it into your canvas. Set the layer’s blending mode to Overlay and erase parts of the layer you don’t want. Now create a new layer Layer>New>Layer (SHIFT+CTRL+N) and use a big soft brush with the color #6b6b6b and brush over your entire canvas, then set the blending mode to Overlay. Lastly go to Layer>New Adjustment Layer>Gradient Map use the default gradient map, which is Black to White and then set the blending mode to Multiply and the Opacity to 76% This is what you should have below.

Step 4

Now it’s time to bring in our stock photograph, I have chosen to use one from iStock Photo. Open up your model picture in Photoshop and start to remove the background from around your model if you don’t know how to do it, follow This Tutorial from Media Militia. Now that you have removed the background from the models picture you can drag your model into your canvas and you should have something like this below.

Step 5

Now that you have your model in the canvas, it’s time to start working on the effects. Create a new layer and take a big black soft brush and then brush at the bottom of your canvas, just to add a darker feel at the bottom. You should have something like this below.

Step 6

In this step we will start adding lighting to the model. Create a new layer and fill it with black #000000. Now set the blending mode to Linear Dodge and select your brush tool with a soft brush of about 960px big. Now start using different colors to blend your model and lighten up the canvas. I used the following colors: Blue #005d7f | Pink #570033 & #970059 | Green #617c01 | Red #810007 I mixed those colors together and then finally used a hard small brush with White #FFFFFF to create the dots that you see on the chart below. The image you see below is the layer with colors without the blending mode.

Here you can see what the outcome is after the blending mode is set to Linear Dodge.

Step 7

You can see the piece is coming together now. In this step we will be repeating the exact same thing we did in Step 6 just with a bit different colors. Create a new layer and fill it with black #000000 now set the blending mode to Linear Dodge and grab your brush tool with a soft brush sized 700px now choose the colors that you want to use to light up the canvas. I used Pink #450627 & #32041b | Green #1a1900 you are free to use any colors that you desire though. See color placement below.

Now add in another soft pink in the top left hand corner just to balance the color in the piece.

Now make sure both your layers are set to linear dodge. You should have something like below.

Step 8

Now it’s time to add in some elements. In this case we will be adding in some butterflies, stars and cogs. I have made these elements available for download as a package Elements Pack Now you can import these elements into your canvas and then place them around how you would like them to be placed. I added in the cogs first and set some of their blending modes to overlay just to give a variety of depth.


Now I added in the stars and placed them around as I wanted, depending on the image you use, you can position them to flow with your design.

Next I added in the butterflies, I made some of them bigger than the others to also portrait depth in the piece. This is what I have so far below.

Step 9

In this step we will be adding some image adjustments. Go to Layer>New Adjustment Layer>Brightness/Contrast. Leave the brightness at 0 and make the contrast -20 now press OK to accept the changes. Now go back to Layer>New Adjustment Layer>Curves Use the RGB Channel and just curve your line out a tiny bit to darken the middle of the piece a bit. You should have something like this below.

Step 10

Now it’s time to make use of some brushes. Navigate down your layers palette and create a new layer just underneath your model layer. Now grab your brush tool and make use of Abstract Glow Brushes by Ro-stock now choose your brush from the pack and brush underneath the model layer to give it a mystical feeling. I made use of 2 different brushes in this case to make things flow well. I have something like this below.

Step 11

In our final step we will be sharpening the image. Firstly create a new layer by going to Layer>New>Layer and then go to Image>Apply Image. Now that you have a applied image go to Filter>Other>High Pass now use a radius of 10px and hit OK. Now set your blending mode to Overlay and your opacity down to 42% and you are done.

Final Preview

Fantastic Digital Artworks for Design Inspiration

Fantastic Digital Artworks for Design Inspiration

Photoshop is an excellent tool for seamlessly compositing disparate elements into a beautiful photomotage and making sophisticated artworks. The best way to improve yourself is to make reference to other fantastic works and great ideas. There are lots of professionals graphics around the internet. To ease of your life, we have selected some nice works in this article. Hope it can help and inspire you to develop your great works.

The Future World

Future-World

The King and Lion

The Forest God

Forest-God

The Goddess of Spring

The-Goddess-of-Spring

Swan Lake Beauty

Swan-Lake-Beauty

Open World

open-world

The Decider

The-Decider

The Colosseum

The-Colosseum

How to Place Sketches onto Photos

How to Place Sketches onto Photos

French graphic designer Sébastien DEL GROSSO shows the process of how to place sketches of his photos on his photos with Photoshop. Sébastien DEL GROSSO uses photos taken with natural light, referring to drawings whose pencil strokes are fast and nervous to give the impression of a construction.

Then the first step is to keep all images in a square format to reinforce the idea of series and work with layers. The second is to scan and clean the drawings then place them on the foreground, in front of the previous image. The third is to use brush shapes to erase some details on the pictures and reveal the sketch. When presenting of the sketch part in the photo, looking realistic and balanced is necessary. And finally, to use the black in subdued mode and the white in inlay mode to obtain better results.

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How to Place Sketches onto Photos-03
How to Place Sketches onto Photos-04
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Top 10 Icon Design Tutorials in Photoshop

Top 10 Icon Design Tutorials in Photoshop

Sometimes, you may find it difficult to look for some of the highest quality photoshop tutorials using search engines. As most of time, almost all tutorials would label themselves to be good, high quality or even the best photoshop tutorial you can find. When searching through all these tutorials, your time is wasted.

In order to save your time, Photoshop Lady come up with Top 10 Icon Design Tutorials in Photoshop. These are selected from our Photoshop users and readers.

How to Create a Piece of Heaven in Photoshop

How to Create a Piece of Heaven in Photoshop

In this tutorial I am going to show you how to create a piece of Heaven in Photoshop. This photo manipulation is inspired by the Metuzalem website and I would like to thank Tajana for allowing me to write this tutorial. I’m very grateful to her.

Also, I would like to thank all the photographers and artists for their wonderful stock images and for the permission to use them. This tutorial would never be possible without they: resurgere, SimplyBackgrounds, ro-stock, nighthawk663, Disney-Stock, WammyP, indeed-stock, Enchantedgal-Stock, redheadstock, Tasastock, Momotte2stocks, Kristina Mileva, Jan Flaska, Marina García, Claudia Meyer, Martin Hurry, Hilde Vanstraelen, clix, Sheila and magstefan.

All the images from deviantArt have specific rules and everyone who is planning to use them on anymore than just following the tutorial should read those rules and ask the photographer’s permission to use them.

Final Result

This is a Piece of Heaven we are about to make. You can see the final result bellow. Also, you can check out the larger version here.

Step 1 – Setting up the document

First, download this image and open it in Photoshop. You can adjust the dimensions of your image by going to Image > Image Size. My image is 1125px wide by 1334px height. Now we want to get rid of the moon because it doesn’t fit with what we are going to create in this tutorial. Select the Clone Stamp Tool (S), select a soft brush with the diameter of 250-300px and use it to erase the moon. Then select the Smudge Tool, chose a big soft brush, set the Strength to 25% and use this tool to get rid of the traces left by the Clone Stamp Tool.

Step 2 – Adding a Lens Flare filter

Create a new layer and fill it with black using the Paint Bucket Tool (G). Right-click on this layer and select Convert to Smart Object. This way you will be able to modify any filter you apply to this layer anytime you want. Then go to Filter > Render > Lens Flare and use the settings from the following image. Set the blend mode of this layer to Linear Dodge (Add) and name it “lens flare.”

Step 3 – Creating mist

From now on, we are going to use groups to keep everything organized. Create a new group (Layer > New > Group) and name it “island.” Create another group inside the “island” group, and name this one “mist.” Download these Photoshop brushes and install them. Create a new layer, set the foreground color to white, select one of the brushes you downloaded and use it to create mist in the center of your image. Fell free to use as many layers and brushes you want.

Step 4 – Creating the base of the island

Create a new group and name this one “rocks.” Download this image and open it in Photoshop. Double-click on the “Background” layer to unlock it. Then use the Magic Wand Tool (W) to select the sky, and then hit Delete.

Step 5

Move the rocks into your first document using the Move Tool (V). Then right-click on this layer and select Convert to Smart Object. Go to Edit > Free Transform (Ctrl+T), hold down the Shift key and scale this layer down. Flip this layer horizontally (Edit > Transform > Flip Horizontal) and vertically (Edit > Transform > Flip Vertical), and then name it “rocks.”

Step 6 – Masking the rocks

Add a mask to the “rocks” layer (Layer > Layer Mask > Reveal All), select a black brush with a diameter of 30px and with the hardness around 60%, and then mask some parts of the rocks like I did. You can let the top of the rocks as it is because it will be covered by grass later.

Step 7 – Adding light to the rocks

Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Then fill the mask of this layer with black, select a white soft brush and paint with it over some areas of the rocks. Take a look at the following image for reference.

Step 8 – Adding shadow to the rocks

Go again to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Then fill the mask of this layer with black, select a white soft brush and paint with it over some areas of the rocks.

Step 9 – Adjusting the brightness and the contrast

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 10 – Masking the rocks

Add a mask to the “rocks” group, select a big black soft brush with the opacity around 50% and mask the edge of the island, to be able to see just a little the light that is coming behind it.

Step 11 – Adding the grass

Create a new group and name it “grass.” Then download this image, open it in Photoshop, move it into your first document using the Move Tool (V) and name this layer “grass.”

Step 12

Add a black mask to the “grass” layer (Layer > Layer Mask > Hide All). Now the grass should disappear, but don’t worry, it’s still there. Set the foreground color to white, select the Brush Tool (B) and use a brush with a diameter of 40px and with a hardness of 55% to paint over the top of the island. Take a look at the following image for reference.

Step 13 – Adjusting the light and the shadow of the grass

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 14

Now we are going to make the bottom area of the grass layer darker. Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image. Then fill the mask of this layer with black, select a white soft brush and paint with it over the bottom area of the grass.

Step 15

Now we are going to make the top of the grass layer brighter. Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image. Then fill the mask of this layer with black, select a white soft brush and paint with it over the top area of the grass.

Step 16

The passing between the rocks and the grass is not very realistic right now. To correct this, hold down the Alt key, click on the “grass” layer in the Layers palette and drag a copy of it beneath the original one. Then click on the mask of this layer to activate it, select a white soft brush, and paint with it over the area beneath the original grass layer. Set the opacity of this layer to Soft Light.

Step 17 – Adding a fence

Download this photo, open it in Photoshop and use the Pen Tool (P) to cut out the fence. To remove the hydrant you can use the Clone Stamp Tool (S). Then move the fence into your document, right-click on it and select Convert to Smart Object. Go to Edit > Free Transform (Ctrl+T), hold down the Shift key, scale this layer down, and put the fence on your island. Name this layer “fence”, then put it inside a new group and name the group “fence” too.

Step 18

Add a mask to the “fence” layer, select a black little soft brush, set the opacity of this brush around 40% and mask the bottom area of the fence, to look like it is really there.

Step 19 – Adding a shadow to the fence

Ctrl-click on the “fence” layer’s thumbnail to select it, create a new layer and fill the selection with black. Then go to Edit > Free Transform, right-click on the image, select Flip Vertical, move this layer at the bottom of the fence, hold down the Ctrl key and move the middle bottom control handle like I did. Set the opacity of this layer to 20%, move it beneath the “fence” layer and name it “shadow.”

Step 20 – Adding a cave

Create a new group and name it “cave.” Download this photo, open it in Photoshop, use the Pen Tool (P) to cut out the cave, and then move it into your document using the Move Tool (V). Right-click on this layer and select Convert to Smart Object. Go to Edit > Free Transform (Ctrl+T), right-click on the image and select Flip Horizontal, then hold down the Shift key and scale this layer down. Go to Filter > Sharpen > Unsharp Mask and use the settings from the following image. Name this layer “cave.”

Step 21

Add a mask to this layer (Layer > Layer Mask > Reveal All), select a brush with a hardness of 80% and use it to erase the straight edges of the cave.

Step 22

Go to Layer > New Adjustment Layer > Color Balance, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 23

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 24

Now we are going to make the bottom of the cave darker. Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Then fill the mask of this layer with black, select a white soft brush (B) and paint with it over the bottom part of the cave.

Step 25

Now we are going to make the top of the cave brighter. Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image. Then fill the mask of this layer with black, select a white soft brush (B) and paint with it over the top area of the cave.

Step 26 – Adding a shadow to the cave

Ctrl-click on the “cave” layer’s thumbnail to select the cave, then hold down the keys Ctrl+Alt+Shift and click on the mask of the “cave” layer. Now you should have only the cave selected. Create a new layer beneath the “cave” layer, fill it with black and name it “shadow.”

Go to Edit > Transform >Flip Vertical and move the “shadow” layer at the bottom of the cave. Then go to Edit > Free Transform (Ctrl+T), hold down the Ctrl key and transform the shadow like I did by moving the middle bottom control handle of the Free Transform box.

Now there is an empty area at the bottom of the cave because of the cave’s entry. Use a black brush to fill that area. Then right-click on the “shadow” layer and select Convert to Smart Object. Then go to Filter > Blur > Gaussian Blur and add a gaussian blur of 3px. Set the opacity of the “shadow” layer to 60%. Then you can use a layer mask and a black soft brush to mask the area of the shadow which looks too dark.

Step 27 – Adding trees

Download this image, open it in Photoshop, move the tree into your document using the Move Tool (V) and put it in the front of the cave. Right-click on this layer and select Convert to Smart Object. Go to Edit > Free Transform, hold down the Shift key and scale this layer down. Then go to Filter > Sharpen > Unsharp Mask and use the settings from the following image. Name this layer “tree.”

Step 28

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 29

Go to Layer > New Adjustment Layer > Color Balance, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 30

Put the “tree” layer and the two adjustment layers inside a group and name the group “tree 1.” Then add a mask to this group and use a black soft brush to mask the bottom part of the tree.

Step 31

Create a shadow for the tree, just like you did with the fence and the cave.

Step 32

Create more trees and put them on the island. Organize all these layers using groups. Take a look at the following image for reference.

Step 33 – Adding an angel statue

Download this image, open it in Photoshop, use the Pen Tool (P) to cut out the angel statue and move it into your document using the Move Tool (V). Right-click on this layer and select Convert to Smart Object. Name this layer “angel”, put it inside a group and name the group “angel” too. Go to Edit > Free Transform (Ctrl+T), hold down the Shift key and scale this layer down. Add a mask to this layer and use a black soft brush to mask the bottom part of the angel.

Step 35

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 36

Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Fill the mask of this layer with black, select a white soft brush and paint with it over some areas of the angel to make them darker.

Step 37

Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Fill the mask of this layer with black, select a white soft brush and paint with it over some areas of the angel to make them brighter.

Step 38

Create a new group (Layer > New > Group) and name it “ivy.” Then download this image, open it in Photoshop and move it into your document using the Move Tool (V). Right-click on this layer and select Convert to Smart Object. Go to Edit > Free Transform, hold down the Shift key and scale this layer down. Put the plant at the bottom of the angel statue and name this layer “ivy.”

Step 39

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Then go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Fill the mask of this layer with black, select a white soft brush and paint with it over the bottom area of the plant to make it darker.

Step 40

Download this bonsai photo and open it in Photoshop. To separate the tree from the background go to Select > Color Range, hold down the Shift key, and click on the background many times until it turns white in the Color Range window. Then go to Select > Inverse to inverse the selection and hit Ctrl+J to put the selection into a new layer. To delete the pot you can use the Pen Tool (P).

Step 41

Move the tree into your document using the Move Tool (V). Name this layer “bonsai”, put it inside a group and name the group “bonsai” too. Right-click on this layer and select Convert to Smart Object, go to Edit > Free Transform (Ctrl+T), hold down the Shift key and scale this layer down.

Add a mask to the “bonsai” layer and use a black small soft brush to mask the tree’s roots. Then go to Filter > Sharpen > Unsharp Mask and use the settings from the following image.

Step 42

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 43

Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Fill the mask of this layer with black, select a white soft brush and paint with it over some areas of the tree to make them darker.

Then go again to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Fill the mask of this layer with black, select a white soft brush and paint with it over some areas of the tree to make them brighter.

Step 44

Add a shadow to the bonsai, just like you did with the fence, the cave and the trees.

Step 45

Download this quartz image, open it in Photoshop and use the Magic Wand Tool (W) to remove the black background. Move the quartz into your document, right-click on this layer and select Convert to Smart Object. Go to Edit > Free Transform (Ctrl+T) and scale this layer down. Then put the quartz in the right side of the island. Name this layer “quartz”, put it inside a new group and name the group “quartz” too.

Step 46

Add a black mask to the “quartz” layer (Layer > Layer Mask > Hide All). Now the quartz should disappear from your image, but don’t worry, it’s still there. Select a white brush with a hardness of 50% and paint with this brush over the area where you want the quartz to become visible.

Step 47

Go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Fill the mask of this layer with black, select a white soft brush and paint with it over the area where the quartz touches the island.

Step 48

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Then go to Layer > New Adjustment Layer > Color Balance, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 49 – Adding stairs

Download this image, open it in Photoshop and use the Pen Tool to cut out the stairs. Then move the stairs into your first document using the Move Tool (V). Right-click on this layer, select Convert to Smart Object and name this layer “stairs.” Go to Edit > Transform > Flip Horizontal. Then go to Edit > Free Transform (Ctrl+T), hold down the Shift key and scale this layer down. Put this layer inside a group and name the group “stairs.”

Step 50

Add a mask to the “stairs” layer (Layer > Layer Mask > Reveal All), select a black brush with a hardness of 60% and use it to mask the bottom area of the stairs.

Step 51

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Then go to Layer > New Adjustment Layer > Color Balance, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Then go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Fill the mask of this layer with black, select a white soft brush and paint with it over the right and bottom areas of the stairs to make them darker.

Step 52 – Adding a rock

Download this package of photos and open the image “pkg_bot015.jpg” in Photoshop. Use the Pen Tool (P) and Color Range (Select > Color Range) to separate the rock from the background (or you can use the Quick Selection Tool (W) instead of Color Range).

Move the rock into your document using the Move Tool (V), right-click on this layer and select Convert to Smart Object. Name this layer “rock” and put it inside a new group. Name the group “rock” too.

Select the “rock” layer, go to Edit > Transform > Flip Horizontal. Then go to Edit > Free Transform (Ctrl+T), scale this layer down and put it in the right side of the stairs. Then add a mask to this layer (Layer > Layer Mask > Reveal All), select a white brush with a hardness of 50% and use it to mask the bottom area of the rock. Take a look at the following image for reference.

Step 53

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Then go to Layer > New Adjustment Layer > Curves, check the “Use Previous Layer to Create Clipping Mask” option and create a curve like I did. Fill the mask of this layer with black, select a white soft brush and paint with it over the bottom area of the rock to make it darker.

Then go to Layer > New Adjustment Layer > Channel Mixer, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 54 – Adding a tap

Download this photo, use the Pen Tool to cut out the tap and move it into your document. Right-click on this layer, select Convert to Smart object, and then name it “tap.” Then go to Edit > Free Transform and scale this layer down. Add a mask to this layer (Layer > Layer Mask > Reveal All) and use a black soft brush to mask the area where the tap touches the island. Put this layer inside a new group and name the group “tap & water.”

Step 55

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 56 – Adding the water

Download this image, open it in Photoshop and use the Pen Tool (P) to cut out the water.

Step 57

Move the water into your document using the Move Tool (V). Right-click on this layer and select Convert to Smart Object. Go to Edit > Transform > Flip Vertical, and then go to Edit > Transform > Flip Horizontal.

Then go to Edit > Free Transform (Ctrl+T), hold down the Shift key, scale this layer down and move the water at the bottom of the tap to look like it’s coming out of it. Set the opacity of this layer to 90%, name it “water” and put it beneath the “tap” layer.

Step 58

Add a mask to the “water” layer (Layer > Layer Mask > Reveal All), select a black soft brush and paint with it over the bottom area of the water. Then select a smaller brush and, if necessary, paint with it over the area where the water is coming out of the tap.

Step 59

Duplicate the “water” layer by hitting Ctrl+J. Then go to Filter > Blur > Radial Blur and use the settings from the following image. Set the blend mode of this layer to Screen, the opacity to 70% and then name it “water 70% screen.”

Step 60

Duplicate the layer which you have created at the previous step by hitting Ctrl+J. Set the blend mode of this layer to Linear Light, the opacity to 30% and then name it “water 30% Linear Light.”

Step 61 – Adding pigeons

We can’t have a Heaven scene without pigeons, right? So, create a new group and name it “pigeons.” Then download this image, open it in Photoshop and use the Pen Tool (P) to cut out the bird. Move the pigeon into your document using the Move Tool. Right-click on this layer and select Convert to Smart Object. Go to Edit > Free Transform, hold down the Shift key and scale this layer down. Name this layer “big pigeon.”

Go to Layer > New Adjustment Layer > Brightness/Contrast, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 62 – Adding a lens flare

Create a new layer beneath the “big pigeon” layer and fill it with black. Right-click on this layer and select Convert to Smart Object. Then go to Filter > Render > Lens Flare and use the settings from the following image. Set the blend mode of this layer to Linear Dodge (Add) and name it “lens flare.”

Step 63 – Adding more pigeons

Here are some pigeons photos that you can use. Download these photos, open them in Photoshop and use the Pen Tool (P) to cut out all those pigeons. As usual, move each pigeon into your document using the Move Tool (V) and convert each layer into a smart object (right-click on the layer and select Convert to Smart Object). Then go to Edit > Free Transform, hold down the Shift key and scale each layer down. Use the Move Tool (V) to put each pigeon where you want, and then name all these layers.

You can use the same pigeon more times in your photo manipulation. Just duplicate a pigeon layer and go to Edit > Transform > Flip Horizontal. Then go to Edit > Free Transform (Ctrl+T), hold down the Shift key, scale the new layer down and move it in a different place. If you look closely to the following image you will see that the pigeon from the angel’s hand is the same pigeon from the cave.

Step 64

Use some Brightness/Contrast adjustment layers to add more light and contrast to the pigeons. Also, you can add a shadow to the pigeon sitting on the rock (or any other pigeon you want). To do this, create a new layer beneath that pigeon layer, select a black soft brush and paint with it over the rock. Then set the opacity of this layer to 40% and name it “shadow.”

Step 65 – Adding a divine light

Create a new group beneath the “pigeons” group and name this one “light.” Set the blend mode of this group to Linear Dodge (Add) and the opacity to 90%. Then create a new layer inside this group and use the Polygonal Lasso Tool (L) to create a white shape like I did. Continue to create as many shapes as you want, each one in a new layer. Convert each layer into a smart object (right-click on the layer and select Convert to Smart Object) and set the opacity of each layer to 10-20%.

Step 66

Add a Gaussian Blur filter (Filter > Blur > Gaussian Blur) to each of the layers inside the “light” group. Use different values for this filter.

Step 67 – Adding feathers

Now we are going to add some feathers around the island. Create a new group outside of the “island” group and name it “feathers.” The download this photo, open it in Photoshop and remove the black background. Move the feather into your document using the Move Tool (V), right-click on the layer, select Convert to Smart Object and then name it “feather.” Go to Edit > Free Transform, hold down the Shift key, scale this layer down and then rotate it.

Duplicate this layer a few times and change the size and the position of each feather. Then add a Gaussian Blur filter (Filter > Blur > Gaussian Blur) to each of these layers using different values.

Step 68

Download these brushes, install them, set the foreground color to white and use them to create more feathers. Use a new layer for each feather.

As usual, before going to Edit > Free Transform (Ctrl+T) to modify the feathers, convert each layer into a smart object. Then add a Gaussian Blur filter (Filter > Blur > Gaussian Blur) to each of these layers using different values.

Step 69 – Creating stars

Create a new group and name it “stars.” Create a new layer inside this group and name this one “stars” too. Fill the “stars” layer with black, then right-click on this layer and select Convert to Smart Object. Go to Filter > Noise > Add Noise and use the settings from the following image.

Add a mask to the “stars” layer (Layer > Layer Mask > Reveal All), select a big black soft brush and paint with it over the clouds and the island. We don’t want stars above those areas. You can also use this brush to mask some areas of the stars from the sky. Then set the blend mode of the “stars” layer to Screen.

Step 70

Now we are going to make the stars to look like some real stars. Go to Layer > New Adjustment Layer > Levels, check the “Use Previous Layer to Create Clipping Mask” option and use the settings from the following image.

Step 71 – Adding a subtle glow to the stars

Duplicate the “stars” group (right-click on it and select Duplicate Group). Then right-click on the new group and select Convert to Smart Object. Set the blend mode of this layer to Screen, and then go to Filter > Blur > Gaussian Blur, use a value of 1px and click OK.

We don’t want all the stars to glow, so, add a mask to this layer (Layer > Layer Mask > Reveal All), select a black soft brush and paint with it over some areas of the stars.

Step 72 – Adding rays

Create a new group and name it “rays.” Create a new layer inside this group and name it “rays” too. Then download these brushes, install them, set the foreground color to white and use those brushes to create rays. Right-click on this layer and select Convert to Smart Object. Then set the blend mode of this layer to Overlay.

Step 73

Duplicate the “rays” layer, go to Filter > Blur > Gaussian Blur and use a value of 20px. Then set the opacity of this layer to 60%.

Step 74 – Creating mist

Create a new layer, set the foreground color to white and use the same brushes you used at the beginning of this tutorial (at the third step) to create mist. Set the opacity of this layer to 70% and name it “mist.” As you can see in the following image I have also used a mask. It’s up to you whether you want to use one or not.

Step 75 – Adding a quote

Select the Type Tool (T) and write a quote or anything else you want using a proper font (I used Trajan Pro). Set the opacity of this text layer to 90%.

Step 76 – Final color adjustments

Now we are going to use a technique to make the whole image more vivid. Create a new layer above all the other ones, go to Image > Apply Image and click OK. Then right-click on this layer and select Convert to Smart Object. Go to Filter > Blur > Guassian Blur and use the value 6.6px. Set the blend mode of this layer to Color and the opacity to 60%.

Duplicate this layer (Ctrl+J) and then set the blend mode of the duplicated layer to Screen and the opacity to10%.

Duplicate this layer one more time and set the blend mode of this new layer to Soft Light and the opacity to 55%.

Final Result & Conclusion

Well, here we have it. Our own piece of Heaven created in Photoshop. I hope that you enjoyed this tutorial as much as I had writing it. You can see the final result bellow. Also, you can check out the larger version here.

About the Author

Ionut Ciursa is a freelance designer based in Romania. Photoshop is one of his passions and he has been using this wonderful program for about four years. He loves to share his knowledge with others through his tutorials. He is also the founder of PSDBurn where he writes Photoshop tutorials.

How to Make Vivid FORNEX from Sketch

How to Make Vivid FORNEX from Sketch

With rich beautiful works in web design, illustration and icon design, designer Vet Orso from Russian Federation shows his drawing process for FORNEX with the help of photoshop.

When he completes the draft, each parts needed on the paper, he has a general idea in his mind. Then he starts his work with photoshop. Drawing the sketch for FORNEX, coloring and dealing with details are main steps. Since it is not difficult, with careful observation and patience, the result is one brilliant piece of work comes into being. It does have some kind of similarity with the original poster!

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