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Dissolution – 25 Years of Photoshop

Dissolution – 25 Years of Photoshop

This digital painting was created by Germany creative director or illustrator Martin Grohs. Actually it is a wallpaper, titled as “Dissolution”. It portrays one vision, one space-lady with melting space suit disappearing before a hot exploding plant. These all reflect the theme “what you take from the earth, you must give back, that is nature’s way.”

This wallpaper was made to celebrate 25 years of photoshop. The greatness of photoshop is it can present imagination to us or we can just have imaginations. While one fantastic uniqueness of this wallpaper is that it is dynamic, which shows audience a gradual progress of dissolution. Space-lady’s changing space suit, the color-changing space and the plant embody the theme of dissolution, presenting a coming explosion. And at the end of the process ,the word “dissolution” perfectly appears on the screen. This is really a piece of super-inspiring work.

Choose resolution : 2560 x 1440 . 1920 x 1200 . 1680 x 1050 . 1440 x 900 . 1280 x 1024

dis_solution

dissolution

young caucasian woman

Dissolution-25 Years of Photoshop-11

Dissolution-25 Years of Photoshop-10

The Evolution of Photoshop Infographic

The Evolution of Photoshop Infographic

In 1987, Thomas Knoll, a PhD student at the University of Michigan began writing a program on his Macintosh Plus to display grayscale images on a monochrome display. This program, called Display, caught the attention of his brother John Knoll, an Industrial Light & Magic employee, who recommended Thomas turn it into a fully-fledged image editing program. Thomas took a six month break from his studies in 1988 to collaborate with his brother on the program, which had been renamed ImagePro. Later that year, Thomas renamed his program Photoshop.

During this time, John traveled to Silicon Valley and gave a demonstration of the program to engineers at Apple and Russell Brown, art director at Adobe. Both showings were successful, and Adobe decided to purchase the license to distribute in September 1988. While John worked on plug-ins in California, Thomas remained in Ann Arbor writing program code. Photoshop 1.0 was released in 1990 for Macintosh exclusively.

That’s the early history of Photoshop. Here we have created The Evolution of Photoshop Infographic, in order to show you the entire history of Photoshop up until now.

Click to enlarge.

evolution-photoshop

About the Author

Dona Collins is an infographic artist, blogger and financial writer at CreditLoan.com. When she is free you can find her on twitter and other times you can find her writing articles for creditloan blog.

25 Stunning and Creative Photoshopped Ads

25 Stunning and Creative Photoshopped Ads

25 Stunning and Creative Photoshopped Ads

As the economy develops, our world has been thick with commercials and advertisements. However, not all the advertisements work as well as what the advertisers thought. Anyway, no one wants to read a boring paragraph of compliment or a long list about the promoted product. It is the creation in the advertisements that can really impress the viewers.

The following are 25 stunning and creative photoshopped ads collected from Creative Ad Awards, which is a new ads collecting website that featured by the most creative ads from the world. Please enjoy it and feel the surprise that the creation brings you.

Action Inside

All Day I Dream About Sneakers

Anywhere

Be Choked

Built for the Concrete Jungle

Don’t Mess with the Legend

Ultragliss Steam Iron. Faces any Wrinkle.

Fiery Party

Frozen Flame

Hole in Lake

The Natural Enemy of Boredom.

In the Arms of Elements

Lion Zebra

Military Jackets

Your walls deserve a paint which will age well

You can’t escape genetics

Organic Shampoo

Perfection Has Its Price

Poor Rabbit

Push the limits of everything

Smoking Hand

Every city is a mountain

The Gripper

The Insight Story

The Pair

How to Draw a Monster on a Real Picture

How to Draw a Monster on a Real Picture

Monster usually appears on cartoon films and seldom show up in real pictures. To your children, it would be great idea to draw a monster on their real pictures. In this tutorial, it will show you techniques to draw a 3D monster on a real picture in an easy way.

Step 1

First, we are going to start with the eyes, using the Elliptical Marquee Tool (M), make a circular selection, hold the Shift key pressed while drag the circle to keep it proportional. With the Paint Bucket Tool (G), fill the selection with white color, next, apply a Bevel and Emboss Layer Style with the following settings.

Step 2

Now, create a new Layer over the previous one, for the iris, use the Elliptical Marquee Tool (M) and place it in the middle of the eye, next, using the Paint Bucket Tool (G) fill it with light blue color. Apply a Gradient Overlay Layer Style with the following settings.

Step 3

Make Ctrl + Left Click on the Iris Layer, to select the iris shape, now go to Edit > Stroke and make a 2 pixels blue stroke around it on a new Layer “Iris Stroke”, the blue color we used before will work. To add depth on the iris, create a new Layer “Iris Bright”, and using the Gradient Tool, make a white gradient as shown.

Step 4

For the iris texture we are going to create a custom brush. With the Brush Tool (B), on a new Layer, draw a form more or less as shown, next, Ctrl+ Left Click on that Layer, to select its content, then go to Edit > Create Brush, now, we have our custom brush on the Brush Presets menu. Go to the Brush Presets palette (F5), and on the Brush tab, adjust settings as shown. Create a new Layer, “Iris Texture”,set its Blending Mode to Soft Light and 100% Opacity, and with the Ellipse Tool (U) make a circle, smaller than the iris size, now stroke the Path with the custom brush selected, then, you will get a radial iris texture.

Step 5

On a new Layer “Retina”, let’s make the retina, use the Elliptical Marquee Tool (M) to create a circular selection, next, fill it with black color. Create a new Layer “Retina Bright”, set its Blending Mode to Mormal and 100% Opacity, with the same selection process we used before, make a white stroke around it. To fade off the upper-right area, create a Layer Mask and make a gradient as shown.

Step 6

To finish with the eye, create a new Layer “Eye Bright”, and with the Brush Tool, and a Soften Round Brush selected, paint a white stroke on the upper-right area, next, pick the Smudge Tool and dissolve its edges. Once all the eye’s Layers are completed, merge them together to get only one.

Step 7

Now, let’s get started with the body. Using the Pen Tool (P), create a Path to define the body’s shape, once you are happy with it, create a new Layer “Body”, and Fill Path with pink color. Next, duplicate the eye’s Layer three times and place them on the desired place, resize each one to get a better result, you can also organize all in a folder to keep them organized.

Step 8

To adjust and refine the shape go to Filters > Liquify, using the Forward Warp Tool (W), make the necessary corrections, as the upper eyebrow.

Step 9

On the “Body” Layer, apply a Bevel and Emboss Layer Style with the following settings to get the body’s volume.

Step 10

For the mouth, create a new layer “Mouth”, set its Blending Mode to Normal and 75% Opacity, pick the Brush Tool (B) with a Round Brush selected, and paint the mouth with black color, next apply a Bevel and Emboss Layer Style with the following settings. To create the back legs, use the Rectangle Marquee Tool (M) to select the legs and Copy and Paste it on a new Layer, next go to Edit > Transform > Flip Horizontal, finally adjust the Layer Opacity to 80%, so they appear more distant.

Step 11

Create a new Layer ” General Shadow”, set its Blending Mode to Overlay and 100 Opacity, next, select the body’s shape ( Ctrl + Left Clcik) and go to Selection > Transform Selection > Contract, and apply a 6px transformation. With the Gradient Tool (G), make a black to transparent gradient, from bottom to up-right as shown. Create a Layer Mask to hide the undesired gradient’s areas.

Step 12

Create a new Layer, “Main Light”, set its Blending Mode to Mormal and 100% Opacity, then repeat same body’s selection as the previous step, but now subtracting the eyes shapes, like this, once the selection is active, press Ctrl + Alt + Left Click, on each eye Layer. Go to Selection > Transform Selection > Contract, and apply a 12px transformation. On the new “Main Light” Layer, use the Gradient Tool (G) to apply a white to transparent gradient from upper-right downwards as shown. Again, use a Layer Mask to hide the undesired gradient areas.

Step 13

Create a new Layer “Eyes Shadows” underneath the eyes folder, set its Blending Mode to Soft Light, and 75% Opacity. Make a selection of all the eyes, use de Selection Tool (M) to relocate it a bit left-downwards and fill it with black color. Finally use the Blur Tool to blur the edges a bit.

Step 14

Now, let’s make the eye’s reflections, create a new Layer ” Eyes Reflections” set its Blending Mode to Softlight and 100% Opacity. Usind the Elliptical Marquee Tool (M) make the following selections, next, with the Paint Bucket Tool (G), fill them with black color.

Step 15

Next, to highlight a bit the eyes, create a new Layer “Eyes Strokes” set its Blending Mode to Overlay and leave Opacity to 100%. To select the eyes contours, make Ctrl + Left Click, holding the Shift key pressed, over each eye layer, next, go to Edit > Stroke and make a 2 pixels stroke, with black Color, and Outside selected. With the Blur Tool, blur them a bit.

Step 16

Create a new Layer “Brights”, set its Blending Mode to Normal and 100% Opacity, and with a Soft Round Brush, paint the eyebrows lights, following with the Smudge and Blur Tools to mix them with the body’s surface.

Step 17

Following with the lights, let’s create three layers, first one “Brights 2”, set is Blending Mode to Soft Light and 35% Opacity. With the Elliptical Marquee Tool (M), make an small elliptical selection, and with the Paint Bucket Tool (G), fill it with white color. Next, with the Blur Tool, blur it a bit. On the next layer “Brights 3”, set its Blending Mode to Soft Light and 30% Opacity, and repeat same operation as on the previous layer, but this time with a bigger elliptical selection, and placed where shown. Finally, the third one, “Internal Shadow” set its Blending Mode to Soft Light and 35% Opacity, but this time filled with black color and placed where shown. Notice that, the last two layers have Layers Masks, I did that for hide some portions of the shapes.

Step 18

To finish with the lights, create a new Layer “Highlights”, and with a Soft Round Brush, paint some strokes and dots to enhance areas where light has more relevance. Use the Blur and Smudge Tools to blend the strokes with the surface.

Step 19

Now let’s create a spotted texture on our character. Select the Hard Round Brush on the Brush Palette, now, on the brush settings (F5) , set it as shown. With it, the brush stroke will be as irregular dots, that will give us the desired result. Create a New Layer “Spotted” set its Blending Mode to Soft Light and 49% Opacity, pick white color and paint some dots where shown.

Step 20

The character is finished, it’s time to start with the background. Organize all previous layers under the same Group Folder, duplicate the resultant folder and Merge Group, so now we have the whole character on a single layer. Open the background image and place it under the character layer as shown (or as you prefer), now go to the Channels Tab and create a new one (Alpha 1 by default), pick the Gradient Tool (G), and with white color make a gradient from top to down that covers 3/4 of the channel, and aN small one from bottom to up, on the channel’s lower part. Select again the RGB Channel and come back to the Layers Tab. Select the background layer and go to Filters > Blur > Lens Blur, select the Alpha 1 channel on the Depth Map Source selector, and apply the following settings. Now we have our background image with a depth of field blur, that gives scale and depth to our image.

Step 21

To create the character’s reflection, duplicate the character’s layer, set its Blending Mode to Normal and 39% Opacity. Now go to Edit > Transform > Flip Vertical and place it just below of the character as shown. Next, go to Filters > Blur > Gaussian Blur, and apply a 2 pixels radius blur. Finally, create a Layer Mask, and with the Gradient Tool (G) hide the head and midbody of the character.

Step 22

For the shadows that the character casts, create two layers, first one, is for the shadow placed just below it, “Surface Shadow 1”. Set its Blending Mode to Multiply and 29% Opacity, with the Elliptical Marquee Tool (M) make an elliptical selection and, with the Paint Bucket Tool (G), fill it with black color, next, go to Filters > Blur > Gaussian Blur and blur it at taste. The second one, shadow that He projects on the surface, “Surface Shadow 2”. Set its Blending Mode to Soft Light and 100% Opacity, repeat same technique as before with the Elliptical Marquee Tool (M) and black color. Part of the shadow that is further from the character is weaker, so, to achieve that effect, apply a Layer Mask and with the Gradient Tool (G), and low Opacity set, fade that area.

Step 23

Following with the character’s integration, using the Blur Tool, blur the further legs to add some depth.

Step 24

The light, normally illuminates the contour of the objects, to achieve it on our character, create a new layer “Rim Light”, set its Blending Mode to Normal and 100% Opacity. Make Ctrl + Click on the character’s layer to create its selection, now go to Edit > Stroke, and make a 2 pixels white external stroke, with the Blur Tool, blur it a bit. Apply a Layer Mask and hide the areas where light doesn’t reach the character. That contour must be also on the surface’s reflection, so Copy and Paste the previous layer, go to Edit > Transform > Flip Vertical and fit it on the reflection, then set its Opacity to 43%

Step 25

Light bounces and incides again on the objects, to achieve that effect create a new layer “Bounced Light 1”, set its Blending Mode to Color and 40% Opacity. Witht the Color Picker, select the surface’s color, and picking the Gradient Tool (G), set with low Opacity, make a gradient on the body from left to right. For the lower part, create another layer, “Bounced Light 2”, set its Blending Mode to Normal and 25% Opacity and make a new gradient over it. to avoid staining the background with the gradients, select the body’s shape before making them.

Step 26

To create more balance on the shadows, create a new Layer “Shadows Correction”, set its Blending Mode to Soft Light and 50% Opacity, then, picking the Gradient Tool (G), and black color, make a gradient from lower left side to upper right.

Step 27

Now we have the character completely integrated on the background, so, duplicate and merge the previous layers to get the final image. To add some vignetting on the image, go to Filters > Lens Correction, and on the Custom tab you will find its settings, a quantity of -15 will be ok.

Step 28

Finally, I like to add some noise to my images, create a new Layer, set its Blending Mode to Multiply and 100% Opacity. With the Paint Bucket Tool, fill it with white color, and go to Filters > Noise > Add Noise, a quantity of 5% will be enough.

Step 29

Here we have our buddy caught by surprise while was taking a walk by the kitchen looking for some tasty things…

Realistic Decorated Wine Bottle Illustration

Realistic Decorated Wine Bottle Illustration

In this tutorial I will teach how create a realistic bottle illustration and some shadow and cut techniques.

final-s.jpg

Step 1

Create a new file with 700px of width and 700px of height. Now use the pen tool (shortcut “p”) to draw one side of bottle. If you don’t know how use the pen tool take a look at this link of photoshop online help When you reach the desired result now use the Direct Selection Tool (shortcut “a”) to select all point of path, hold ALT and drag the path to duplicate. Now, still using Direct Selection (Shortcut “a”) select all point of the second side, right click and select “Free Transform Path“, go to menu “Edit/Tranform Path/Flip Horizontal“. Place the flipped path on the right place to create the bottle silhouette.

photoshop-tutorial1.jpg

Step 2

Now, we need to close the silhouette. First, using the pen tool(“p”) close the top of bottle. Go to the bottom o silhuette and do the same thing but with a little curve between points. Like above:

photoshop-tutorial2.jpg

Step 3

Go to the “Paths” tab and click on fill option button at bottom of panel. After this, make sure your path layer still there on paths tab, never erase or overwrite the layer of the bottle path. Now we have the bottle, but we need some color and realistic details, in most cases this can be done using some gradient and shadow effects. To apply Gradient without lost the initial shape we use the blending options.

photoshop-tutorial3.jpg

Step 4

Go back to the layers tab and right click on the bottle layer and select “Blending Options“. Check the Gradient Overlay, define Style to Linear and Angle to 0 and double click on the Gradient field to open the Gradient Editor. Create a new custom gradient using the color #878398,#9c96b3,#413e4d,#7c7792,#878398. Like below:

photoshop-tutorial4.jpg

Step 5

Create new layer and change name to reflection. Go to the paths tab, duplicate the bottle path(right click on the path layer) and resize the points of path to reach the first image above. Fill the path with white color. Back to the layer tab, apply a gradient overlay in blending options and set the Gradient Fill with some white and gray color and define the opacity field to 60% and close the Blending Options window. Now go to the blend mode of the reflection layer and set to Soft Light and change the opacity to something like 45%:

photoshop-tutorial5.jpg

Step 6

Go back to the blending options in the bottle layer and define inner shadow like below, and create a Stroke like below:

photoshop-tutorial6.jpg

Step 7

We need a label for wine glass. Create a new rectangle with Rectangle Tool, place the rectangle layer between reflection layer and bottle layer, rename it to “label”. Go to Blending Options again and apply a dropshadow with 41% opacity, distance 0 and size of 2. Now apply a Gradient Overlay with the settings like below:

photoshop-tutorial7.jpg

Step 8

Create some texts like the title and some description to fill the space, use old style fonts, for me Trajan Pro is a good one. Add some vector shapes with old flourishe style, the result will be something like this:

photoshop-tutorial8.jpg

Step 9

Create new path with the stopper shape, fill with brown collor(#988c6c). Go to Filer/Noise/, Add Noise and set the Amount value to 5. Now it’s to other gradient, add gradient overlay in blending options windows on this layer. Define Blend Mode of Gradient Overlay to Vivid Light and set angle to 0 and create a gradient #000000 to #957c34 and back to #000000. With this step we get a good stopper like below:

photoshop-tutorial9.jpg

Step 10

Now we jump to details. Create a new layer and a simple path to reproduce a ring on that layer, fill it. Create a dropshadow with Blending Options like below and add a Gradient Overlay. Use the colors to reproduce gold material (I use these #d1c04c,#eae2aa,#a48440,#645025,#3a2e14). Look step by step below:

photoshop-tutorial10.jpg

Step 11

More details. Create duplicate the stopper path and change her size to wrap the neck, fill it with black:

photoshop-tutorial11.jpg

Step 12

We almost finish. To create a coll background select #063e41 color and fill a background layer of document. Go to Filter/Render/Lighting Effects and select Omni Light Type.

photoshop-tutorial12.jpg

Step 13

Now we need a realistic shadow. Duplicate the bottle layer, remove all effects(right click on layer “Clear Effects“), go to Edit/Transform/Wrap menu or hold CTRL on the edge o shape and resize it to reach this result:

photoshop-tutorial13.jpg

Step 14

Go to Image/Adjustments/Hue Saturation menu or press CTRL+U on windows. Change the lightness to -100. Go to Filter/Blur/Gaussian Blur menu and set it to 8. Change the opacity of layer to 34%:

photoshop-tutorial14.jpg

Step 15

Add some flowers. Open this images on photoshop, go to Channels tab select the most contrasted channel, duplicate him, increase the constrast of duplicated channel layer in Image/Adjusments/Brightness/Contrast and Image/Adjusments/Curve, use Quick Selection Tool(“w”) to create a fast selection of areas outside the flower. Delete the duplicated channel, back to the RGB channel, right click on the selection and select inverse. Cut and paste the flower on the bottle document. Repeate the same step to cut other flower. Othe tip is increase the brightness of flower (Image/Adjustments/Curves) to made things more white. Define some dropshadow in Blending options for eache flower:

photoshop-tutorial15.jpg

Step 16

Use some vectors like this and change the blend mode of vector layer to Luminosity and opacity to 50%. We also add an reflection effect in the bottle(we can teach how create reflection in some other tutorial):

photoshop-tutorial16.jpg

Conclusion

With this tutorial you learned how create a realistic bottle, shadows and how work with Blend Mode, Gradients. With some easy steps you can reach a good effect.

final.jpg

The 100 Most Popular Photoshop Tutorials 2009

The 100 Most Popular Photoshop Tutorials 2009

Sometimes, you may find it difficult to look for some of the highest quality photoshop tutorials using search engines. As most of time, almost all tutorials would label themselves to be good, high quality or even the best photoshop tutorial you can find. When searching through all these tutorials, your time is wasted.

In order to save your time, Photoshop Lady has been spending almost a whole year to search for the best photoshop tutorials for you. Eventually, we come up with The 100 Most Popular Photoshop Tutorials of 2009. These are selected from our published tutorials, with over 1 million votes and views from our Photoshop users and readers. Enjoy.

A Roundup of 25 Awesome Natural Themed Fonts

A Roundup of 25 Awesome Natural Themed Fonts

Thanks to climate change and a general shift towards eco-living, natural fonts are in high demand right now. We’ve scoured the web to find the best fonts with a natural theme available anywhere, for you to use in your own work. Some are conventional, others are wildly imaginative, but all should serve as a great source of inspiration when creating designs of a natural persuasion. Leaves, logs, trees, beaches, flowers, stones, stars, bugs and even human hair- you’ll find it all, and much more, below.

1. Touch of Nature

This ‘submarine’ font is perfect for use in any aquatic design. Complete with little fishies, it’s reminiscent of fish tanks and sea-life centres.

2. Tree Like

Bowed and warped, Tree Like has a really unique look and ties in perfectly with epic high fantasy. Think: Lord of the Rings.

3. Flame

I love this font! Quirky, peculiar and idiosyncratic, it would be perfect for promotion of a really cool, indie band.

4. Apple Tree

Apple Tree manages to look organic, despite its modern, some-might-say futuristic design. It would look great in work based around futuristic methods of sustainability and carbon conservation.

5. Beach Type

Beach Type is a chilled-out, laid-back kind of font. It’s the font you’d expect to appear on a beach bar on some exotic island.

6. Wood 2

Wood 2 has a classic, handmade feel. Characters seem to have been nailed together from bits of old timber. It’s perfect for work with an organic theme.

7. Flowers Cube

Flowers Cube is an embellished version of a classic, angular font. It has a real vintage feel to it.

8. Natural Log

Natural Log’s spindly, hand-drawn aesthetic makes it perfect for designs aimed at children.

9. Flower 3

Simplicity at its best, Flower 3 looks as though it was written with a blade of grass dipped in ink. It’s utterly charming. Perfect in work centred around agriculture and the countryside.

10. Seaweed Fire

Seaweed Fire is spiky, compact and rather dismal, but fantastic all the same. It should be used in anything to do with horror.

11. Charcoal First

Unruly and irregular, with some letters bigger than others, Charcoal First has a definite graffiti-like, urban quality. It looks like it’s been written quickly, possibly on a wall somewhere!

12. Wild Wood

Rooted to the ground and covered in thin shoots, Wild Wood looks like something from a modern fairytale. It has a certain Tim Burtonesque, gothic quality to it.

13. Stone Cold

Grungy and weathered, Stone Cold is abstract, but still easy to read. This font certainly looks better when it’s bigger.

14. Beyond Sky

Beyond Sky is a very feminine, dreamy font. It’s gorgeous and would ideally suit being used in the beauty industry.

15. Wood Sticks

The cartoon-like Wood Sticks font has a cheerful, light-hearted appearance. It would look great on the menu of a vegan cafe.

16. Night Sky

Night Sky is such a fun font, surrounded by stars and crescent moons. Why not use it in a children’s book or on a website aimed at kids?

17. Bingo Star

Stars are tightly clustered together to form the letters of this highly original, delightful font. If you’re looking for a font that’s unique, this is the one for you.

18. Earth

Sleek, slick, cool and highly professional, Earth is a font fit for the ‘space age’. It’s perfect for use on promotional flyers for club nights or modern, dance music events.

19. Galaxy 1

Similar to the Earth font, Galaxy has a real vintage quality. Like the font used in Star Wars, it looks like it has come straight from the 70s, which is great for use in vintage designs.

20. Alpha Woman Hair

You can’t help but laugh when you look at this font. Cheesy and pretty ridiculous, its letters are formed from various hairstyles. Not to be taken seriously, however, it could be used to great effect in a tongue-in-cheek design.

21. Moon Star

Moon Star looks like something from a 60s TV show like Bewitched or The Jetsons. It’s really magical and would fit well with 60s/70s-like vintage designs.

22. Little Insect

So cute, Little Insect is another hand-drawn font ideal for children or companies with a soft, caring image.

23. Animal Caps

Each Animal Caps letter looks like an antique object. While it won’t fit with much modern graphic design, it’s so imaginative; I just had to include it in this list.

24. Sea Dreams

Sea Dreams looks like it’s suffered from a degree of coastal erosion itself. Soft and calming, why not use it on the front cover of a suitable novel.

25. JF Jungle Rock

Chunky characters, shrouded in plants and bugs, JF Jungle Rock looks like something out of a classic, tropical arcade game. It’s certainly got a hint of caveman about it.

Tom Walker is a blogger and designer working with an online supplier of MFC cartridges, inks and various other print materials to the creative industry. He often writes about innovative advertising and design on the CreativeCloud.

Inky Deals Giveaway: 11” MacBook Air & Design Resources

Inky Deals Giveaway: 11” MacBook Air & Design Resources

We are happy to announce another massive giveaway from Inky Deals that comes with a free pack of premium resources worth $66. The freebie is sent to the email address you use to enter the contest and is part of The Epic Bundle: $20,048 worth of Top-Quality Resources – From $49.

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About Inky Deals

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Take advantage of this opportunity to win an 11” MackBook Air and 1 of the 10 Epic Bundles: $20,048 worth of Top-Quality Resources – From $49!

inkydeals-testimonials

What Can You Win?

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10 lucky winners will be chosen from the list of participants and each one of them will win a free copy of The Epic Bundle: $20,048 worth of Top-Quality Resources – From $49. One of the 10 winners will also take home an 11” MacBook Air!

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