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Dissolution – 25 Years of Photoshop

Dissolution – 25 Years of Photoshop

This digital painting was created by Germany creative director or illustrator Martin Grohs. Actually it is a wallpaper, titled as “Dissolution”. It portrays one vision, one space-lady with melting space suit disappearing before a hot exploding plant. These all reflect the theme “what you take from the earth, you must give back, that is nature’s way.”

This wallpaper was made to celebrate 25 years of photoshop. The greatness of photoshop is it can present imagination to us or we can just have imaginations. While one fantastic uniqueness of this wallpaper is that it is dynamic, which shows audience a gradual progress of dissolution. Space-lady’s changing space suit, the color-changing space and the plant embody the theme of dissolution, presenting a coming explosion. And at the end of the process ,the word “dissolution” perfectly appears on the screen. This is really a piece of super-inspiring work.

Choose resolution : 2560 x 1440 . 1920 x 1200 . 1680 x 1050 . 1440 x 900 . 1280 x 1024

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Fantastic Digital Artworks for Design Inspiration

Fantastic Digital Artworks for Design Inspiration

Photoshop is an excellent tool for seamlessly compositing disparate elements into a beautiful photomotage and making sophisticated artworks. The best way to improve yourself is to make reference to other fantastic works and great ideas. There are lots of professionals graphics around the internet. To ease of your life, we have selected some nice works in this article. Hope it can help and inspire you to develop your great works.

The Future World

Future-World

The King and Lion

The Forest God

Forest-God

The Goddess of Spring

The-Goddess-of-Spring

Swan Lake Beauty

Swan-Lake-Beauty

Open World

open-world

The Decider

The-Decider

The Colosseum

The-Colosseum

Awesome Digital Art Portrait of Zephirus

Awesome Digital Art Portrait of Zephirus

Emi Haze is an Italian digital artist and illustrator who has a strongest passion for art and painting connected to technology. In his works the human being melts with nature and its four elements to give birth to his inner world, ethereal and imaginative, hanging in balance between reality, dream and fantasy. A harmony that bonds man and nature in a perfect way and which unfortunately nowadays seems to be a utopia.

His style is a mix of all these tools, digital art and photography but also various hand-made elements such as scratches, ink marks, acrylic or watercolour stains. For him, everything in every moment has an artistic side, the aesthetics of things, people around him…everything has its own importance, images, textures, sounds, fragrances, his creativity is constantly stimulated.

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Lion Image Designed in Adobe Illustrator

Lion Image Designed in Adobe Illustrator

Ukrainian artist Denis Gonchar shows the process of dealing with lion image with Adobe Illustrator. The tutorial shows how does a colorful dimensional lion head appear on the warm sand yellow background. The way is to add color onto the original lion head and deal with details time and time again.

A lion-head profile with light background is a must. The next step is to darken the lion’s mane, presenting dimensions, then proceed to add decorative colors to present the artist style of the lion and finally be sure to the deal with the bright color and dark color around the lion head carefully to show light and shadows reflected by the lion head, which is also for dimensional purpose.

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Low-poly Self Portrait Photoshop Tutorial

Low-poly Self Portrait Photoshop Tutorial

Low-poly self portrait tutorial” is a Photoshop tutorial created by Brazilian creative director Breno Bitencourt. In this tutorial, Breno Bitencourt will show you how to create a low-poly portrait in illustrator and Photoshop step by step.

The main techniques used here are masks and blending modes, Photoshop’s auto contrast, auto colour and auto levelsfunctions. There are also something basic you should know .Working with the best reference photo, choosing the best fragments to combine in a single image, dealing with the time-consuming part of the triangular mesh, firing up illustrator with pen tool, using align panel & vertical align center to deal with details, and adding color.
Watch the Video tutorial below and enjoy today’s lesson!

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Creepy Grey Metal Skull by Salazar

Creepy Grey Metal Skull by Salazar

Skull” is Colombian digital artist Santiago Betancur Salazar’s last project. Salazar has his own website, which exhibits his fabulous works with different styles. The reason why he presents his “Skull” here is he loves skull, so he shares his works.

Photos belows generally show Salazar’s working process with “Skull” by Photoshop. Skull itself is terrific enough, and Salazar created this “Skull” with creepy grey metal effects. The exquisite vein and muscle details prove Salazar’s skills and attitude. No matter seeing from the front or from the profile, Salazar’s Skull is naturally mixed together with its background, a grey metal skull emerging from its gray tenacious and unbreakable background.

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Photoshop Tutorials Submission Form

Photoshop Tutorials Submission Form

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How To Paint A Poe & Pluton Cartoon Portrait in Photoshop

How To Paint A Poe & Pluton Cartoon Portrait in Photoshop

Final Image Preview

On this tutorial we will make a Poe and Pluton cartoon portrait, using custom brushes created by ourselves

Tutorial Assets

Watercolor Texture

Paper Texture

Step 1

Open a new document of 1800px high and 1200px wide. First, we will set up what will be the brush that we are going to use to draw the general lines, from the Brush Selector pick the brush no.30, Hard Round, and set its opacity to 75% and Flow to 35%.

Step 2

Now, on the Brush Presets menu (F5), make the following settings, check the Shape Dynamics and Transfer boxes, and adjust Spacing to 1%. You can see the final shape of the Brush.

Step 3

Create a new layer “Poe”, and leave its default setting. With the Brush we created, start drawing the face, neck and shoulders, adjust the size to get thicker strokes on the garb, and thinner strokes for the face, hair, and neck. Draw flowing strokes, without taking much care on the detail, afterwards use the Erase Tool to remove the unwanted parts of the strokes. Also use the Erase Tool to create the eye’s brights.

Step 4

Next, on a new layer “Body & Pluton”, start drawing the Poe’s lower body and Pluton. On the picture you can see that the strokes just establish the main forms, using stains instead of precise lines. Again, use the Erase Tool to remove certain areas as Pluton’s eyes and Poe’s fingers.

Step 5

We will add an extra layer “Lower Body”, where we will paint the area between Poe and Pluton. After, this will be useful for split the two elements and avoid to mix them together. Notice the erased area beside the Pluton’s head.

Step 6

Now, let’s start to create our custom watercolor brush. Use a new layer to paint two brush strokes as shown, using the Soft Round Brush. Notice that they aren’t symmetrical, this will be better for the final result. Next, go to Edit > Define Brush, we can name it “watercolor”, now it is ready on the Brush List for being used.

Step 7

Next, on the Brush Presets (F5), start setting the following adjustments, check the Shape Dynamics box, and adjust Spacing to 1%.

Step 8

Check the Scattering box and adjust its settings as shown. The same with the Transfer option. You can see how the brush shape changes on the display.

Step 9

Finally check the Dual Brush box and select the brush number 45 with the following settings. Now we have our watercolor brush ready for be used.

Step 10

Pick the Smudge Tool, and with the watercolor brush, smudge the painted layers we created before. Adjust the Strength to get different results.

Step 11

Create a new layer “Details” and with a Hard Round Brush paint the fine details as cat’s whiskers and some loose hairs. Next, with the Smudge Tool, and a Soft Round Brush selected, drag some portions of black to create more cat fur, with a small brush size selected.

Step 12

Now, we will create another textured brush. Using the brush number 30 as a base, apply the following settings on the Space Dynamics and Scattering sliders.

Step 13

Following with the Transfer and Dual Box adjustments.

Step 14

Picking the Eraser Tool, and the brush we just create selected, erase some edges of Poe’s suit to imitate a dry brush watercolor effect.

Step 15

Next, create a new layer “Pluton’s Eyes”, and on it draw the necessary brush strokes to draw the eye’s pupil, yes, remember that it only has one…and the eye’s shadows. With white color, paint the tusk and the eye’s brights.

Step 16

For the Poe’s face shadows, select the brush number 30 and adjust it as shown.

Step 17

For the Poe’s face shadows, create a new layer “Poe Face Shadows”, set its Blending Mode to Normal and 60% opacity. Start painting the shadows as cheeks, chin, eye sockets, etc. Overlap more than one brush stroke to achieve darker tones.

Step 18

Let’s start with the background, create a new layer “Background Color”, just bellow of the layer we created before. On it, with the Gradient Tool, select a brownish tone and make a gradient from bottom to upper zone as shown.

Step 19

Next, to start making the lights, create a new layer “Highlights”, with the brush we created on step 16, select white color, and start painting the lights, I chose a cenital light, so it impacts on the upper areas of volumes as shown.


Step 20

To add some vignetting on the background, go to Filters > Lens Correction, and on the Custom tab you will find out the Vignette Amount slider, a quantity of -40 will be ok.

Step 21

To create the paper texture, we will add a real paper image. Create a new layer “Paper Texture”, set its Blending Mode to Multiply and 30% Opacity. Next, Copy and Paste the paper image on that layer.

Step 22

Next, we will add an spotlight just behind Poe. Create a new layer “Spotlight”, set its Blending Mode to Lighten and 50% Opacity. With the Elliptical Marquee Tool, create a circle, place it behind the Poe’s shoulders and fill it with withe color, next go to Filter > Blur > Gaussian Bluer, and blur its edges. To avoid that the white overlap to Poe, create a Layer Mask and hide the unwanted areas.

Step 23

Continuing adding textures, create a new layer “Ink Stain”, set its Blending Mode to Lighten and 80% Opacity. On it, place one of the ink textures you will find on the assets as shown.

Step 24

More textures…Create a new layer “Aged Texture”, set its Blending Mode to Soft Light, and 80% Opacity. On it place again one of the ink textures from the assets to give an aged finish to the image. Notice that all textures are placed bellow Poe & Pluton’s layers, to keep them clean on other plane.

Step 25

Now the image is almost finished, create a new Group and put in it all the layers. Next save the document as .JPG, open it, and place this file on top.

Step 26

With the Dodge Tool, light up a bit some areas to create more contrast. The watercolor brush will be a good choice to do that.

Step 27

Again, let’s add some more vignetting, go to Filters > Lens Correction, and adjust the Amount slider to -30.

Step 28

Finally, to add some noise to the image, create a new layer “Noise”, set its Blending Mode to Multiply, and fill it (Shift + F5) with white color. Next, go to Filters > Noise > Add Noise, a quantity between 8 and 10 will work.

Step 29

And this is the final result