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VIP Downloads of Top Quality Design Resources

VIP Downloads of Over 2500 Top Quality Design Resources

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Top 20 User Interface Design in Photoshop

Top 20 User Interface Design in Photoshop

Sometimes, you may find it difficult to look for some of the highest quality photoshop tutorials using search engines. As most of time, almost all tutorials would label themselves to be good, high quality or even the best photoshop tutorial you can find. When searching through all these tutorials, your time is wasted.

In order to save your time, Photoshop Lady come up with Top 20 User Interface Design in Photoshop. These are selected from our Photoshop users and readers.

How to Create Product Labels in Photoshop

How to Create Product Labels in Photoshop

Hello Everyone here we have a design/illustration tutorial. We are working on a label for a Micro brew beer.

Step 1

First of all, I will go through all the process and how I came up with a rough sketch of what my character would look like.

Here is a sketch on paper with a permanent marker line art. Scan your work and keep the file on a 300dpi resolution. The bigger the better, that way scaling down works best! The sketch was done on red so we could easily separate the line art from the sketch. How? Super easy! At first label your layer by double clicking on it.

Step 2

You can either do it by ctrl+click on PC or command+click on MAC and select your sketch layer, once you have the marching ants you go to the channels tab and click on your red channel.

You copy that channel layer ctrl+c on PC command+c on MAC. And you click again on you composite channel (RGB) to select them all. You go back to your layers panel and paste your red channel as a layer ctrl+v on PC or command+v on MAC. Name your new layer LINE ART.

Step 3

Let’s go to the levels adjustment ctrl+L on PC or command+l o MAC and tweak your sliders so you get a clean black and white image. Try and get all the grays out. Easy! Now to get rid of the white and keep a clean lien art! OK so we can get rid of that first sketch of ours or keep it if you like to have the history. I personally like to have all my layers at the end and see how much the image changed from beginning to end. (I know many of your might be dying about the left eye of the ninja but I’m getting there!) Ok, now we get rid of the white background. Hide all your layers but your line art by doing alt+click on PC or optn+click on MAC over the little eye icon on your layer. We open the blending options of our LINE ART layer by double clicking on the space next to the name or by simply going to your “FX” button.

After that, selecting blending options. There you’ll have 3 blocks and the third one is the one we want: “Blend If: Gray” Here you want to slide the white triangle to the left until the white is totally gone! Click OK when done.

Step 4

Great! Now we need to lock those changes so we need to press ctrl+click on PC or command+click on MAC on the create new layer icon so that the new layer appears under our line art layer. Then select both and press ctrl+e on PC or command+e on MAC to merge both layers onto one and keep it in transparency. Awesome! Now we can finally duplicate that eye and get ready to color it.

Step 5

Once OK, we can go to the painting process. Create a new layer under the line art and layout all your flat colors.

Step 6

it is time to work on your lights and shadows. Use brighter tones of the same layout colors for the highlights and darker for your shadows. Once you finish, you should have something like this:

Step 7

Now we can take this great drawing to the next level. We are going to color the line art. What? my precious clean clack lines? yes! to do this you want to lock the transparency on the line art by clicking on this icon:

Now it is coloring time. Choose the darkest color of the shadow per section of your character. Let’s say you are working on the hoodie of the ninja. Select your darkest value with the eyedropper tool and go a little darker than that. Why? just so that the line art doesn’t blend with the shadows. Once you have that color start brushing in! Your final illustration would look a little like this:

Step 8

Since you have done with the character. It is time to work on the label. Setup your size and resolution on a new document. Remember 300+dpi is best if you want to print. Firstly, we set the background color in green. Press alt+backspace on PC or option+backspace on MAC to fill the layer with your choice of color.

Step 9

With a soft brush ,the dodge and the burn tool you need to work out some shadows and lights. Then choose greens with the same dodge and burn but with a textured brush as below.

Step 10

Now we go to work on the starburst effect. Create a new layer; and then,draw line and dark gray rectangles like this:

Step 11

Go to the main menu and select “Filters” then “Distort” and lastly “Polar Coordinates” and use RECTANGULAR TO POLAR. BAM! Starburst. Now lower the opacity to about 50% and change the blend mode to “Overlay”.

Step 12

It’s time for the Ovals. Firstly, we create our oval in a dark green. And then apply the following layer styles and apply the following settings as below:

Step 13

We duplicate the layer by pressing ctrl+j on PC or command+j on MAC. Then change the color to a darker green and adjust the stroke settings to:

And then, add your illustration layer

Apply the following outer glow layer style to make it POP:

Step 14

And then, we can add logo, flavor and text into the recipe!

Use the same idea to create the template as this:

Download PSD Source File

Submit Photoshop Tutorials

Submit Photoshop Tutorials

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How to Draw a Monster on a Real Picture

How to Draw a Monster on a Real Picture

Monster usually appears on cartoon films and seldom show up in real pictures. To your children, it would be great idea to draw a monster on their real pictures. In this tutorial, it will show you techniques to draw a 3D monster on a real picture in an easy way.

Step 1

First, we are going to start with the eyes, using the Elliptical Marquee Tool (M), make a circular selection, hold the Shift key pressed while drag the circle to keep it proportional. With the Paint Bucket Tool (G), fill the selection with white color, next, apply a Bevel and Emboss Layer Style with the following settings.

Step 2

Now, create a new Layer over the previous one, for the iris, use the Elliptical Marquee Tool (M) and place it in the middle of the eye, next, using the Paint Bucket Tool (G) fill it with light blue color. Apply a Gradient Overlay Layer Style with the following settings.

Step 3

Make Ctrl + Left Click on the Iris Layer, to select the iris shape, now go to Edit > Stroke and make a 2 pixels blue stroke around it on a new Layer “Iris Stroke”, the blue color we used before will work. To add depth on the iris, create a new Layer “Iris Bright”, and using the Gradient Tool, make a white gradient as shown.

Step 4

For the iris texture we are going to create a custom brush. With the Brush Tool (B), on a new Layer, draw a form more or less as shown, next, Ctrl+ Left Click on that Layer, to select its content, then go to Edit > Create Brush, now, we have our custom brush on the Brush Presets menu. Go to the Brush Presets palette (F5), and on the Brush tab, adjust settings as shown. Create a new Layer, “Iris Texture”,set its Blending Mode to Soft Light and 100% Opacity, and with the Ellipse Tool (U) make a circle, smaller than the iris size, now stroke the Path with the custom brush selected, then, you will get a radial iris texture.

Step 5

On a new Layer “Retina”, let’s make the retina, use the Elliptical Marquee Tool (M) to create a circular selection, next, fill it with black color. Create a new Layer “Retina Bright”, set its Blending Mode to Mormal and 100% Opacity, with the same selection process we used before, make a white stroke around it. To fade off the upper-right area, create a Layer Mask and make a gradient as shown.

Step 6

To finish with the eye, create a new Layer “Eye Bright”, and with the Brush Tool, and a Soften Round Brush selected, paint a white stroke on the upper-right area, next, pick the Smudge Tool and dissolve its edges. Once all the eye’s Layers are completed, merge them together to get only one.

Step 7

Now, let’s get started with the body. Using the Pen Tool (P), create a Path to define the body’s shape, once you are happy with it, create a new Layer “Body”, and Fill Path with pink color. Next, duplicate the eye’s Layer three times and place them on the desired place, resize each one to get a better result, you can also organize all in a folder to keep them organized.

Step 8

To adjust and refine the shape go to Filters > Liquify, using the Forward Warp Tool (W), make the necessary corrections, as the upper eyebrow.

Step 9

On the “Body” Layer, apply a Bevel and Emboss Layer Style with the following settings to get the body’s volume.

Step 10

For the mouth, create a new layer “Mouth”, set its Blending Mode to Normal and 75% Opacity, pick the Brush Tool (B) with a Round Brush selected, and paint the mouth with black color, next apply a Bevel and Emboss Layer Style with the following settings. To create the back legs, use the Rectangle Marquee Tool (M) to select the legs and Copy and Paste it on a new Layer, next go to Edit > Transform > Flip Horizontal, finally adjust the Layer Opacity to 80%, so they appear more distant.

Step 11

Create a new Layer ” General Shadow”, set its Blending Mode to Overlay and 100 Opacity, next, select the body’s shape ( Ctrl + Left Clcik) and go to Selection > Transform Selection > Contract, and apply a 6px transformation. With the Gradient Tool (G), make a black to transparent gradient, from bottom to up-right as shown. Create a Layer Mask to hide the undesired gradient’s areas.

Step 12

Create a new Layer, “Main Light”, set its Blending Mode to Mormal and 100% Opacity, then repeat same body’s selection as the previous step, but now subtracting the eyes shapes, like this, once the selection is active, press Ctrl + Alt + Left Click, on each eye Layer. Go to Selection > Transform Selection > Contract, and apply a 12px transformation. On the new “Main Light” Layer, use the Gradient Tool (G) to apply a white to transparent gradient from upper-right downwards as shown. Again, use a Layer Mask to hide the undesired gradient areas.

Step 13

Create a new Layer “Eyes Shadows” underneath the eyes folder, set its Blending Mode to Soft Light, and 75% Opacity. Make a selection of all the eyes, use de Selection Tool (M) to relocate it a bit left-downwards and fill it with black color. Finally use the Blur Tool to blur the edges a bit.

Step 14

Now, let’s make the eye’s reflections, create a new Layer ” Eyes Reflections” set its Blending Mode to Softlight and 100% Opacity. Usind the Elliptical Marquee Tool (M) make the following selections, next, with the Paint Bucket Tool (G), fill them with black color.

Step 15

Next, to highlight a bit the eyes, create a new Layer “Eyes Strokes” set its Blending Mode to Overlay and leave Opacity to 100%. To select the eyes contours, make Ctrl + Left Click, holding the Shift key pressed, over each eye layer, next, go to Edit > Stroke and make a 2 pixels stroke, with black Color, and Outside selected. With the Blur Tool, blur them a bit.

Step 16

Create a new Layer “Brights”, set its Blending Mode to Normal and 100% Opacity, and with a Soft Round Brush, paint the eyebrows lights, following with the Smudge and Blur Tools to mix them with the body’s surface.

Step 17

Following with the lights, let’s create three layers, first one “Brights 2”, set is Blending Mode to Soft Light and 35% Opacity. With the Elliptical Marquee Tool (M), make an small elliptical selection, and with the Paint Bucket Tool (G), fill it with white color. Next, with the Blur Tool, blur it a bit. On the next layer “Brights 3”, set its Blending Mode to Soft Light and 30% Opacity, and repeat same operation as on the previous layer, but this time with a bigger elliptical selection, and placed where shown. Finally, the third one, “Internal Shadow” set its Blending Mode to Soft Light and 35% Opacity, but this time filled with black color and placed where shown. Notice that, the last two layers have Layers Masks, I did that for hide some portions of the shapes.

Step 18

To finish with the lights, create a new Layer “Highlights”, and with a Soft Round Brush, paint some strokes and dots to enhance areas where light has more relevance. Use the Blur and Smudge Tools to blend the strokes with the surface.

Step 19

Now let’s create a spotted texture on our character. Select the Hard Round Brush on the Brush Palette, now, on the brush settings (F5) , set it as shown. With it, the brush stroke will be as irregular dots, that will give us the desired result. Create a New Layer “Spotted” set its Blending Mode to Soft Light and 49% Opacity, pick white color and paint some dots where shown.

Step 20

The character is finished, it’s time to start with the background. Organize all previous layers under the same Group Folder, duplicate the resultant folder and Merge Group, so now we have the whole character on a single layer. Open the background image and place it under the character layer as shown (or as you prefer), now go to the Channels Tab and create a new one (Alpha 1 by default), pick the Gradient Tool (G), and with white color make a gradient from top to down that covers 3/4 of the channel, and aN small one from bottom to up, on the channel’s lower part. Select again the RGB Channel and come back to the Layers Tab. Select the background layer and go to Filters > Blur > Lens Blur, select the Alpha 1 channel on the Depth Map Source selector, and apply the following settings. Now we have our background image with a depth of field blur, that gives scale and depth to our image.

Step 21

To create the character’s reflection, duplicate the character’s layer, set its Blending Mode to Normal and 39% Opacity. Now go to Edit > Transform > Flip Vertical and place it just below of the character as shown. Next, go to Filters > Blur > Gaussian Blur, and apply a 2 pixels radius blur. Finally, create a Layer Mask, and with the Gradient Tool (G) hide the head and midbody of the character.

Step 22

For the shadows that the character casts, create two layers, first one, is for the shadow placed just below it, “Surface Shadow 1”. Set its Blending Mode to Multiply and 29% Opacity, with the Elliptical Marquee Tool (M) make an elliptical selection and, with the Paint Bucket Tool (G), fill it with black color, next, go to Filters > Blur > Gaussian Blur and blur it at taste. The second one, shadow that He projects on the surface, “Surface Shadow 2”. Set its Blending Mode to Soft Light and 100% Opacity, repeat same technique as before with the Elliptical Marquee Tool (M) and black color. Part of the shadow that is further from the character is weaker, so, to achieve that effect, apply a Layer Mask and with the Gradient Tool (G), and low Opacity set, fade that area.

Step 23

Following with the character’s integration, using the Blur Tool, blur the further legs to add some depth.

Step 24

The light, normally illuminates the contour of the objects, to achieve it on our character, create a new layer “Rim Light”, set its Blending Mode to Normal and 100% Opacity. Make Ctrl + Click on the character’s layer to create its selection, now go to Edit > Stroke, and make a 2 pixels white external stroke, with the Blur Tool, blur it a bit. Apply a Layer Mask and hide the areas where light doesn’t reach the character. That contour must be also on the surface’s reflection, so Copy and Paste the previous layer, go to Edit > Transform > Flip Vertical and fit it on the reflection, then set its Opacity to 43%

Step 25

Light bounces and incides again on the objects, to achieve that effect create a new layer “Bounced Light 1”, set its Blending Mode to Color and 40% Opacity. Witht the Color Picker, select the surface’s color, and picking the Gradient Tool (G), set with low Opacity, make a gradient on the body from left to right. For the lower part, create another layer, “Bounced Light 2”, set its Blending Mode to Normal and 25% Opacity and make a new gradient over it. to avoid staining the background with the gradients, select the body’s shape before making them.

Step 26

To create more balance on the shadows, create a new Layer “Shadows Correction”, set its Blending Mode to Soft Light and 50% Opacity, then, picking the Gradient Tool (G), and black color, make a gradient from lower left side to upper right.

Step 27

Now we have the character completely integrated on the background, so, duplicate and merge the previous layers to get the final image. To add some vignetting on the image, go to Filters > Lens Correction, and on the Custom tab you will find its settings, a quantity of -15 will be ok.

Step 28

Finally, I like to add some noise to my images, create a new Layer, set its Blending Mode to Multiply and 100% Opacity. With the Paint Bucket Tool, fill it with white color, and go to Filters > Noise > Add Noise, a quantity of 5% will be enough.

Step 29

Here we have our buddy caught by surprise while was taking a walk by the kitchen looking for some tasty things…

Creative and Unique Bow Ties from BowSelecTie

Creative and Unique Bow Ties from BowSelecTie

You may have the impression that a bow tie is either a thing for nerds, a tie for that weird joker in the office, or something you must have for any formal event like a wedding. Bow Select Tie is here to change your ideas about bow ties completely and forever. We love bow ties. We have endeavored to create the most unique bow ties that are sure to get you noticed. Naturally, we have a huge selection of classic bow ties that fit every occasion and dress. Amazingly daring and bold bow ties are our forte.

We feel that a bow tie should allow the wearer to express themselves in an unforgettable way. We have wooden bow ties that are real wood, a vibrantly colored collection of feather bow ties that go with any shirt or coat, humorous bow ties, and bow ties that celebrate your country or city.

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We know that many men are intimidated by having to tie a bow tie. We have pre-tied bow ties and our collection of self-tied bow ties comes with complete instructions to tie your bow tie. We have the bow tie for the man that prefers a classic look and the chic styling that classic bow ties add to any shirt or suit. We also have the most daring and outrageous bow ties that any man or woman could possibly desire.

Celebrate your favorite sport, a game you love to play, your interest in science, or your favorite cartoon character. We also have the largest collections of bow ties inspired by Chinese and Japanese art and design. Our ties let you express your passion for computers, comics, candy, money, fish, fruit, newspapers, and cities. We have designed the most elegant selection of formal classic bow ties in patterns and colors that go with anything. Our variations on the black bow tie let you express yourself in subtle and not so subtle ways.

Bow Select Tie is designed to let you experience the variety of material, color, pattern, texture, and shape that bow ties can have. We want you to look your best for that special event or person and we want you to be as bold and brassy as you dare to be. We have created a collection of bow ties that brings the bow tie off the formal wear rack and straight into the main stream of haute couture. Our desire is that you look great and feel great when you stand out from the crowd wearing one of our exquisitely designed bow ties, e.g. Peacock Feather Bow Tie.

Bow Select Tie is the place for the largest selection of bow ties. We held nothing back in our designs. We designed with you in mind. Wear a tie that gets you the attention that you want and deserve. Wear a Bow Select Tie.

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Wooden Bow Tie

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Red Bow Tie

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A Roundup of 25 Awesome Natural Themed Fonts

A Roundup of 25 Awesome Natural Themed Fonts

Thanks to climate change and a general shift towards eco-living, natural fonts are in high demand right now. We’ve scoured the web to find the best fonts with a natural theme available anywhere, for you to use in your own work. Some are conventional, others are wildly imaginative, but all should serve as a great source of inspiration when creating designs of a natural persuasion. Leaves, logs, trees, beaches, flowers, stones, stars, bugs and even human hair- you’ll find it all, and much more, below.

1. Touch of Nature

This ‘submarine’ font is perfect for use in any aquatic design. Complete with little fishies, it’s reminiscent of fish tanks and sea-life centres.

2. Tree Like

Bowed and warped, Tree Like has a really unique look and ties in perfectly with epic high fantasy. Think: Lord of the Rings.

3. Flame

I love this font! Quirky, peculiar and idiosyncratic, it would be perfect for promotion of a really cool, indie band.

4. Apple Tree

Apple Tree manages to look organic, despite its modern, some-might-say futuristic design. It would look great in work based around futuristic methods of sustainability and carbon conservation.

5. Beach Type

Beach Type is a chilled-out, laid-back kind of font. It’s the font you’d expect to appear on a beach bar on some exotic island.

6. Wood 2

Wood 2 has a classic, handmade feel. Characters seem to have been nailed together from bits of old timber. It’s perfect for work with an organic theme.

7. Flowers Cube

Flowers Cube is an embellished version of a classic, angular font. It has a real vintage feel to it.

8. Natural Log

Natural Log’s spindly, hand-drawn aesthetic makes it perfect for designs aimed at children.

9. Flower 3

Simplicity at its best, Flower 3 looks as though it was written with a blade of grass dipped in ink. It’s utterly charming. Perfect in work centred around agriculture and the countryside.

10. Seaweed Fire

Seaweed Fire is spiky, compact and rather dismal, but fantastic all the same. It should be used in anything to do with horror.

11. Charcoal First

Unruly and irregular, with some letters bigger than others, Charcoal First has a definite graffiti-like, urban quality. It looks like it’s been written quickly, possibly on a wall somewhere!

12. Wild Wood

Rooted to the ground and covered in thin shoots, Wild Wood looks like something from a modern fairytale. It has a certain Tim Burtonesque, gothic quality to it.

13. Stone Cold

Grungy and weathered, Stone Cold is abstract, but still easy to read. This font certainly looks better when it’s bigger.

14. Beyond Sky

Beyond Sky is a very feminine, dreamy font. It’s gorgeous and would ideally suit being used in the beauty industry.

15. Wood Sticks

The cartoon-like Wood Sticks font has a cheerful, light-hearted appearance. It would look great on the menu of a vegan cafe.

16. Night Sky

Night Sky is such a fun font, surrounded by stars and crescent moons. Why not use it in a children’s book or on a website aimed at kids?

17. Bingo Star

Stars are tightly clustered together to form the letters of this highly original, delightful font. If you’re looking for a font that’s unique, this is the one for you.

18. Earth

Sleek, slick, cool and highly professional, Earth is a font fit for the ‘space age’. It’s perfect for use on promotional flyers for club nights or modern, dance music events.

19. Galaxy 1

Similar to the Earth font, Galaxy has a real vintage quality. Like the font used in Star Wars, it looks like it has come straight from the 70s, which is great for use in vintage designs.

20. Alpha Woman Hair

You can’t help but laugh when you look at this font. Cheesy and pretty ridiculous, its letters are formed from various hairstyles. Not to be taken seriously, however, it could be used to great effect in a tongue-in-cheek design.

21. Moon Star

Moon Star looks like something from a 60s TV show like Bewitched or The Jetsons. It’s really magical and would fit well with 60s/70s-like vintage designs.

22. Little Insect

So cute, Little Insect is another hand-drawn font ideal for children or companies with a soft, caring image.

23. Animal Caps

Each Animal Caps letter looks like an antique object. While it won’t fit with much modern graphic design, it’s so imaginative; I just had to include it in this list.

24. Sea Dreams

Sea Dreams looks like it’s suffered from a degree of coastal erosion itself. Soft and calming, why not use it on the front cover of a suitable novel.

25. JF Jungle Rock

Chunky characters, shrouded in plants and bugs, JF Jungle Rock looks like something out of a classic, tropical arcade game. It’s certainly got a hint of caveman about it.

Tom Walker is a blogger and designer working with an online supplier of MFC cartridges, inks and various other print materials to the creative industry. He often writes about innovative advertising and design on the CreativeCloud.

Deal of the Week: 500+ Retro/Vintage Design Elements

Deal of the Week: 500+ Retro/Vintage Design Elements

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Retro will always be in. And with this amazing Mighty Deal, you’ll have the ultimate retro and vintage collection! Full of more than 500+ Retro/Vintage Design Elements from Cruzine Design, you’ll find yourself suddenly embracing ornamental headers, frames, and both complex and simple logos, signs and badges. Then there’s the textures, wreath and sunburst shapes, and Photoshop patterns and styles.

These vector files are completely customizable and scalable. Files include Adobe Photoshop and Adobe Illustrator (.AI and .EPS) formats. Normally this massive collection of retro and vintage design elements would cost you $180, but for a limited time you can get the entire collection for only $27! That’s a whopping 85% off the regular price!